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Deepa Mehta

Deepa Mehta

Directing

Biography

Deepa Mehta, LLD (born 1 January 1950 in Amritsar, Punjab, India) is a Genie Award-winning and Academy Award-nominated Indian-born Canadian film director and screenwriter, most known for her Elements Trilogy, Fire (1996), Earth (1998), and Water (2005), which was nominated for Academy Award for Best Foreign Language Film. Her repertoire includes Bollywood/Hollywood and the adaptation of Salman Rushdie's Midnight’s Children. Born in India, she migrated to Canada after studying philosophy at the University of New Delhi. Initially focusing on documentaries, she's received numerous awards, honorary degrees, and prestigious honours like the Governor General’s Lifetime Artistic Achievement Award and the Order of Canada for her groundbreaking work in film. Recognized for challenging norms, Mehta’s films are revered for their daring and provocative nature, earning her distinctions like the Best Canadian Director by the Vancouver Film Critics Circle in 2006. She also co-founded Hamilton-Mehta Productions, with her husband, producer David Hamilton in 1996.

Known For

Danger Bay
7.4

Danger Bay is a Canadian television series, produced in Vancouver, with first-run episodes broadcast on CBC Television and the Disney Channel starting October 7, 1985. One hundred and twenty three installments were filmed, ending in 1989, but the series, perceived as wholesome and exciting fare for older children and adolescents, continued to be seen through the 1990s in numerous countries around the world. The plots of the episodes followed the exploits of the Roberts family, led by marine veterinarian Grant "Doc" Roberts, and his two children, Nicole and Jonah. The 30-minute episodes featured the Vancouver Aquarium in nearly every installment. Most episodes focused on environmental issues such as pollution, wildlife endangerment and forest preservation. The series was also broadcast in Gibraltar Bulgaria, Poland, Czechoslovakia, Iceland, Cuba, Trinidad & Tobago, Finland

Danger Bay

1985Series
Bollywood/Hollywood
5.7

Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....

Bollywood/Hollywood

2002Movie
Filming Desire: A Journey Through Women’s Cinema
8.0

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Filming Desire: A Journey Through Women’s Cinema

2000Movie