Manuela Dalle

Gordon’s film Picture Window, directed together with Manuela Dalle, was inspired by Chantal Akerman’s film “Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles”. This reverent nod to what some refer to as “the greatest film of all time” stars Gordon herself, going about her day.

Gordon walks around wielding her guitar over the wreckage like some almighty angle grinder.

In prisons ruled by toxic masculinity, dancing is an absolute taboo. But at Lancaster’s A-Yard, near Los Angeles, a group of young men, willing to take a chance to be mocked in the yard, start a dance class led by French choreographer Dimitri Chamblas. This class quickly becomes an intoxicating escape from their grim reality so they decide to create a dance show. In this exceptional context, the inmates engage with overwhelming sincerity, evoking their childhood, ganglife, the crimes, the prison, and their desire for transformation. Beyond damaged lives and a prison system on the edge of the abyss, DANCING IN A-YARD explores redemption and the capacity of human beings to reinvent themselves, when given a chance. And more importantly, how art and introspection can help see the light.