Ernesto González Díaz

David dreams of being a pianist like his father, José Luis, who believes it impossible due to his son's physical characteristics: short arms, hands with four fingers and limited hearing. Thanks to his tenacity, David shows him that he can play in his own way and together they begin a musical path that culminates with a new challenge for David: premiering the difficult concerto for piano and orchestra that his father composed for him.

A couple of sound engineers have stopped paying attention to each other. During a film shooting they see themselves in the actors who play the scene, which makes them understand the importance of listening to one another.

Tomás is a young man who watches his absent father repeat, with his younger brother Octavio, the same patterns and lies he once used with him. To make up for missing Octavio’s birthday, their father invites him on a fishing trip and asks Tomás to drive him halfway. What begins as a simple half-day errand turns into a revealing journey, where the brothers must come to terms with the fact that their experiences with their father will never return, while Tomás realizes that, for a long time, he has been the closest thing to a true father for Octavio.

Héctor and Miguel are two friends who live in the Santa Cecilia neighborhood, and although their daily routines are different, they share a common taste: music.