Ursula Barlen

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

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Cupid's arrow strikes Andreas, a hunter by profession, quite unexpectedly when he meets the sophisticated Italian Manuela, who has inherited a castle in his hometown. It is love at first sight for both of them. Manuela invites her admirer to come with her to Italy. A charming romance in which even the setting is enough to fall in love with.

After being sexually assaulted, a farmer's daughter, rejected by her parents, ends up with pimps and whores in a brothel until an honest car mechanic frees her.

Student Helene moves to Berlin to write her doctoral thesis. In the laboratory of her doctoral supervisor, the renowned Professor Matthias, she meets the charming Dr. Stefan Rainer. Helene falls in love with him, unaware that Stefan is already having an affair with Matthias′ wife Yvonne.

American billionaire George B. Stefenson is on a business trip through Europe when, due to his heavy workload, he suffers a heart attack. The doctor called to his aid, Dr. Hartung, strongly advises him to take a three-month break—in other words, to take a “vacation from himself.” After some hesitation, Stefenson agrees and also commits to funding the project, since an institution offering such a program has so far existed only as a dream in the doctor’s mind. As part of the “vacation from the self,” all participants are given a new first name and work clothes so they do not have to reveal their true identities to any of the other residents.

Sissy has inherited a hotel and stud farm from her parents. Unfortunately, her father was very much in debt, so she has to put up with the paternalism of a distant aunt. But she wants to turn everything on the farm upside down and fires all the experienced employees. This leads to huge chaos, as the inexperienced new staff find it difficult to cope with the horses in particular. When Sissy is also supposed to marry a bank manager friend, the trouble is perfect.

A young man named Jürgen joins the military. As much as he tries to make a heroic career as a soldier in a rearmed West Germany, he fails utterly and ends up in a bizarre sanatorium.

The Riehl family is preparing for their vacation in Italy together. But shortly before the start comes the bad news: a colleague of Mr. Riehl, who is now the managing director of a furniture store, has broken his leg.

Hans Albers plays returning war veteran Hans Richter who has trouble finding work. With nowhere else to turn, Richter gets involved with black market activities. This so disgusts Richter's son, blind ex-soldier Edwin (Paul Edwin Roth), that the boy literally disowns his father. Hans eventually mends his ways, but not before several other devastating setbacks.