Pamela C. Saade
Directing
Biography
Pamela C. Saade is a Lebanese filmmaker that moved to France to finish her studies at La Sorbonne. She is well-known for her Adults in Crisis Theme. Her dialogue are always full with witty humour and narcissistic views on life. “Leïla”, her first short film won Best Cinematography at the LIFF, and she is now represented by her producer Narjiss Jamoussi. Her latest short film “Je N’Aime Plus Ma Voiture” is available on streaming on TV5 Monde Plus.
Known For

Improvised over the course of a single night in Paris, this short film follows Fanny and Alexis, who meet by chance on a warm August evening. Fanny doesn’t believe in second dates, always less magical than the first spark. To prove her wrong, Alexis proposes an unusual pact: to meet every week as if it were their very first time.
End Less

It's a 5 a.m conversation. HIM (25) et THE OTHER (25) are lying on a bed, with pieces of board games scattered on the floor. THE OTHER asks questions and HIM answers. Eventually, the conversation turns to sexuality- how, in his teenage years, HIM realized he was attracted to both men and women. THE OTHER is curious, perhaps a little too curious. What's the point? Does it really matter? Was it just a game all along?
Neither Yes Nor No

Rayane, a Lebanese woman, talks with her one-night-stands and lovers about how, strangely, she has great memories of the 2006 Israeli-Lebanese war.
War, Explosion, Depression & Other Types of Pillow Talks

Two lovers. Both are immigrants. Their relationship is the last thing that they kept from home, the last rope they are attached to. Marc holds that rope dearly, Léa wants to cut it. Her love of Paris has taken over the love of Marc
I Don’t Like My Car Anymore

During a date with Alex, Omar seems a bit disconnected. A game with Alex triggers him to explode and talk about everything he has experienced as an immigrant.
Everything Is Easy, Everything Is Hard

Pamela’s C. Saade first short film. Leila has problems with her boyfriend, with her mom, but mostly with herself.
Leïla

After fleeing his privileged but stifling life, young Gabriel finds himself in a remote village, desperate enough to steal canned food. His clumsy attempt is interrupted by Ward, a charming older Lebanese woman who offers him shelter. Taken aback by her suspicious kindness, Gabriel decides to rob her but finds himself sticking around longer than expected. As days stretch into weeks, their interactions give way to an unusual connection. Together, they navigate a fragile balance between mistrust and intimacy, discovering in each other what they didn’t realize they were searching for.