
Katie Bray
Acting
Biography
Winner of the Dame Joan Sutherland Audience Prize at Cardiff Singer of the World, British mezzo-soprano Katie Bray has become known for her magnetic stage presence and gleaming, expressive tone. In the opera house her roles have included Hansel Hansel and Gretel, Rosina Il Barbiere di Siviglia, Varvara Katya Kabanova, Nancy Albert Herring, Zerlina Don Giovanni, Juno Semele, Zenobia Radamisto, Minerva Il ritorno d’Ulisse in patria, Zaida Il turco in Italia, Isolier Le Comte Ory and Vivaldi’s Griselda (title role) for companies including English National Opera, Irish National Opera, Welsh National Opera, Scottish Opera, Garsington Opera, Grange Park Opera and Opera Holland Park. Her interest in the music of Weill and cabaret has led to staged productions of this music, including Effigies of Wickedness, based on songs banned by the Nazis, at the Gate Theatre Notting Hill. Her debut Weill album will be recorded with Chandos Records in early 2025. On the concert platform she has appeared with orchestras including London Philharmonic Orchestra, The Hallé, BBC National Orchestra of Wales, Aalborg Symphony, Britten Sinfonia, Scottish Chamber Orchestra and Orchestre de Chambre de Paris in repertoire ranging from Messiah and Beethoven’s Ninth Symphony to Verdi Requiem, Elijah and The Dream of Gerontius, as well as mixed programmes of classical and baroque arias. She recently gave the premiere of Spell Book by Freya Waley-Cohen with the Manchester Collective and performed Haydn’s Seven Last Words with RIAS Kammerchor at Konzerhaus Berlin.
Known For

Parisian courtesan, Violetta meets the romantic aristocrat Alfredo and finds herself in love for the first time. She abandons her frivolous lifestyle to be with him but his father Germont, charged by the hypocrisy of upper-class society, threatens their future.
La Traviata

A passionate count enlists a local barber and jack-of-all-trades to help him woo and wed a quick-witted woman. But it will take all their cunning - as well as some disguises and bribes - to ensure love wins the day. Rossini’s joyously inventive music makes this a deftly-paced triumph of comic timing. But woe betide anyone taking too many liberties. Adelina Patti, the great 19th century diva, once sang the aria ‘Una voce poco fa’ to Rossini, adding numerous florid embellishments.