Hertha von Walther

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.

Mockumentary about German schoolgirls openly talking about their scandalous sexual experiences. Some of these are illustrated through inserted vignettes. Also, a street reporter asks actual common folk about their views on sex.

God and Satan wager on the soul of a learned and prayerful alchemist as part of their eternal war over Earth.

When actress Mary Baring is found in a daze beside her colleague's murdered body, all evidence points to her guilt. During the trial, juror Sir John Menier doubts the verdict, but yields to pressure. Haunted by remorse, he launches his own investigation.

The mastermind behind a ubiquitous spy operation learns of a dangerous romance between a Russian lady in his employ and a dashing agent from the government's secret service.

Mary and Eva are best friends, although they couldn't be more different. Armand, Mary's fiancee, falls in love with the seductive Eva, who is busy becoming a revue star. When Eva fails and loses her money, Armand tries to help her out.

In the Crimea, the Reds and the Whites aren't done fighting, and Jeanne discovers that the man she loves is a Bolshevik (when he kills her father). Penniless, she returns to Paris where she works for her uncle. Soon after, her lover Andreas is in France to organize the sailors in Toulon. So also is a thief, traitor, and libertine, Khalibiev, who wants to seduce Jeanne. His schemes, Jeanne and Andreas's naivete, and a lost diamond bring the lovers to the brink of tragedy.

Munich at night: Robert Susmeit, a 16-year-old teenager who is jealously obsessed with his mother Hilde, traces her and her latest lover at a mundane apartment building where he kills the man in the heat of the moment at a swimming pool. His fatal outburst is secretly witnessed by Moni Dingeldey, a girl of the same age as his. Fascinated by the shaken and devastated strange boy who she hopes to be a soul-mate, she hides Robert in her mother's apartment. Meanwhile, a crowd of policemen and reporters frantically comb through the building in search a murderer whose identity is known only to Robert's parents who are searching as well...

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

A group of vampires terrorizes a small village on the German North Sea Coast. The young Jonathan joins a group of fellow students and locals, who plan an uprising against the vampires.

A Spanish nobleman raises his only daughter as a boy, similarly to Greta Garbo in Queen Christina (1933). In adulthood, Juana's upbringing causes complications in her love life. Possibly an early example of genderqueer representation.

Scientist Martin Fellmann is tormented by an irrational fear of knives and the irresistible compulsion to murder his wife. Driven to the brink of madness by fantastic nightmares, he encounters a psychoanalyst who offers to treat the perplexing malady.

Neglected by her husband, an ambitious lawyer, Irene seeks variety in Berlin's nightlife-- An evening of dancing, dolls, cocaine and immoral passion. Irene takes the "devious path" as she seeks to make her husband jealous.

The perfect body as an object of cult worship. Based on the mass sports and body worship movement of the 1920s, the film propagates physical training and shows in stylized documentary scenes aspects of physical hygiene, gymnastics, sports and dancing as well as scenes in which supposed sportsmen of antiquity pose naked.

In the very old-fashioned town of Ostend suddenly 13 suitcases are delivered to the Grand Hotel, with a note, that O.F. will be here soon and needs 6 rooms. This event, probably the biggest in 300 years, starts a small wave of modernisation, yet everybody is wondering who O.F. is.

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During the shooting of a jealousy scene on a soundstage, one actress is murdered. Due to the fact that the male star of the movie had a relation with the victim and the female star is now his fiance, he is suspected by the police.

Mismatched travellers are stranded overnight at a lonely rural railway station. They soon learn of local superstition about a phantom train which is said to travel these parts at dead of night, carrying ghosts from a long-ago train wreck in the area. The travelers eventually get to the bottom of the things that go bump in the night.

Nora, the wife of the architect Heinz Ottendorf, feels neglected by her husband. He is getting more and more engrossed in his work, but Nora, apparently a stranger to hard work, suspects that the real reason for her husband's diverted attention must naturally be another woman. Robert, the cousin of Nora's friend Marianne, has long been in love with Nora and sees an opportunity to win her hand. Heinz, for all his distractions in his work and the phantom lover he doesn't have, isn't quite ready to let Nora go. While he may be married to his work, his work is a fickle mistress: he makes a career error and this leads to near financial ruin. He begs Nora to be patient with him. Marianne, who for her part is in love with Heinz, spins a web of deceit and intrigue, which leads to Robert taking a potshot at Heinz and then eventually causing Robert to kill himself.