Per Schwenzen

The Immenhof has been closed by officials, awaiting auction. In the meantime, Angela has died, so Jochen is now a widower. Oma Jantzen and Angela's younger sisters Dick and Dalli live with him in the forester's house. In order to save the manor house, Dalli has started a "pony circus" with the village children in the barn, while Dick has given up hope of Ethelbert ever returning.

Andreas, a young German student comes to Hungary on an exchange programme. In the Hungarian village he falls in love with the stationmaster's daughter Piroschka and spends much of his time with her. They have an enchanting summer until Andreas gets an invitation to join another young woman at a nearby resort. Piroschka is jealous and follows him there, causing trouble. It takes a long time for Andreas and Piroschka to even talk to each other again. When Andreas has to leave Hungary at the end of his holiday, he is determined to return some day.

The pony hotel has just been opened, but so far no guests have arrived. Dick gets Ralf to design a brochure about the hotel. The girls and Ethelbert then lead the village children on horseback to Lübeck, where they all distribute the brochure - not knowing that Dalli has added some embellishments to the text.

Peace has returned to Björndal. After his father's death, young Dag succeeds him and strives to build a good relationship with his neighbor von Gall. The young farmer is determined to return the Borgland farm, which his father acquired by secretly purchasing bills of exchange. Dag leaves the old man in charge of the estate and assigns Aunt Elo, a lovely relative of his wife Adelheid, to assist him. He also brings Adelheid's father, Major Barre, to Björndal, where he is to spend his retirement with the young family. According to the Lexicon of International Films, the film is a Heimatfilm of a relatively respectable standard.

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Germany in 1947. After the Second World War, revue stars Alice and Ellen meet up again with their husbands in Munich. The place where their dream career began. During a visit to their childhood home, the ladies reminisce and relive the exciting events.

An interfering mother plans husbands for her three daughters as they come of marriageable age. However she pays no attention to her daughters own feeling until the eventual intervention of her husband manages to bring things to a happy conclusion.

Counterfeit money is discovered near the Bodensee. The investigators for the "Reichszentrale für Falschmünzerei" get wind of it and open up an investigation. When the band of counterfeiters try to recruit a young graphic artist into their ranks, he quickly rats on them to the police. The investigation soon leads to Switzerland, where the nest of criminals is stormed with the help of the Swiss police.

Gare uses the knowledge that his wife Amelia was imprisoned and had an illegitimate son to make her his subject. When her son Marc Jordan appears and falls in love with her daughter Judith, Amelia is forced to tell the truth. Gare then tyrannizes Judith. She tries to escape, but a fatal accident occurs first.

A killer terrorizes the small German town of Hainsburg. The police moves in to investigate the crimes and finds a suspect among a small group of teenagers.

Old John Carstens sells his marine‐equipment firm to Lafrenz, unaware it’s now a fuel‐smuggling front. Living above the showroom with daughter Hanna and son Jochen, he resists Lafrenz’s pressure. When Hanna falls for bargeman Oschi Rasmus, Lafrenz demands John either give up Hanna or settle his debts. John defies him and dies. Oschi clears John’s debts, but Lafrenz soon plots against the young couple.

A classical art junk dealer and an almost bankrupt hairdresser who unexpectedly makes an inheritance go hunting behind thirteen chairs from which of a 100,000 DM contains which the rich aunt has hidden there.

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"Ten on Every Finger" (German: "An jedem Finger zehn") is a 1954 West German musical comedy film directed by Erik Ode. The story centers on a revue dancer named Margit Rameau, played by Germaine Damar, who falls in love with composer Bert Martin, portrayed by Erich Auer, but their romance is hindered by misunderstandings and busy schedules until they reunite during a local revue performance. The film is structured as a musical revue featuring numerous guest stars performing as themselves, including Josephine Baker in her final on-screen film role, Hans Albers, and Kenneth Spencer

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A short film about the new generation.

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A demure teacher temporarily steps into the shoes of her late grandmother, a celebrated revue singer and socialite from the turn of the century, but ultimately chooses a quiet, domestic life.

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