Acting
A new government regulation in Argentina sparks an escalation of police violence during protests. Amid the chaos, AgustĂn and Mateo take refuge in a parking lot, carrying their friend's body, while the killer police officer relentlessly pursues them.
Milena is in her early twenties. Nothing fulfills her, nothing excites her, and she can't bear being alone. She loses herself in the night to fill a void she doesn't even understand herself. The only place she finds happiness is with Manuel. Their chemistry is undeniable, but neither of them dares to take the step that could change their relationship; until one night, Milena's choices leave her with no option but to confront herself.
Mara and Leo have danced together since they were children at Montoya Academy. They are currently rehearsing a variation from the Pas de Deux of Le Corsaire for Mara's audition to join a prestigious ballet company. However, Leo has lost his passion for dance and now continues only because of their bond. When their instructor realizes that Leo's lack of commitment is jeopardizing the audition, Mara must choose between performing with him or finding a partner who shares her determination.
Lola is the guitarist for Todos mis Demonios, a post-punk band in Buenos Aires' underground scene. Between rehearsals in graffiti-covered rooms, concerts tinged with red lights, and tensions with Paco—her boyfriend and bandmate—she struggles to bring her own songs to the stage. With the support of Lisa, her friend and drummer, Lola must confront both Paco's criticism and the internal and external demons that haunt her.
