Reyad Shahrour

After his wife passes away, Azmy tries to get married again and asks his sister to help him find a new wife, but his sons, Sobhy, Fathy, and Ribhy, don't like the idea of having a stepmother, so they plot together to sabotage his marriage.

The story revolves around the family of Umm Ahmed Bilalish who lives in one of the old Damascene neighborhoods. When Farhan proposes to marry Samar, her mother reluctantly agrees. The events start taking a comic twist when the family wins the lottery and their social status changes.

AlDaghari is a Syrian social comedy series, based on the story of Turkish writer Aziz Nesin, produced by Syrian Arab Television in 1992, directed by Haitham Haqqi. It tells the story of a fraudulent person who exploits the gullibility of the villagers.

Mufid the monster, the naughty teenager, did not find anyone who knew how to deal with him properly, so he did not discover anyone around him and develop the good qualities that Mufid was distinguished for. The society in which he lived, starting from the harsh father at home, to the ignorant and arrogant teacher at school, to the mukhtar who punished him for cutting off the tail of Abboud's donkey... All of these were the cause of Mufid's loss and his premature end. As a result of this treatment, Mufeed could not bear to stay even for a single minute in the farm, so he ran away and decided never to return to this farm that caused him pain and persecuted him.

In the destroyed city of Quneitra is the grave of a resistance fighter for Palestine. His son, the director, tries to restore the dead man's history by mixing echoes of his mother's memory and his desire to give his father a more honorable death. Through the daily lives, dreams, fears, and hopes of its citizens, Malas chronicles his hometown Quneitra in the Golan Heights between 1936, the year of the first revolts against the British and Zionists in Palestine until the year of the city's destruction. He seeks to exorcise a feeling of shame and humiliation that long accompanied the image of his father and also his town, occupied by Israelis in 1967.

Tayseer, a conservative man, has grown with a particular hang-up caused by his sister's marriage without his consent. When a man proposes to his daughter Kawthar, Tayseer vehemently opposes their relationship, even if the two are deeply in love. Is it too late to rid him of his hang-up?