Writing
Max went to Borneo where he tried his luck and all was lost. Back in his hometown, he tries to pretend that he is just passing through. Until the day when Sofia, a childhood friend, arrives at the DIY store where he works against his will. A game of cat and mouse then begins...
‘Tunisia. A word I have trouble articulating, when I want to tell it to my son.’ Dhia, a 29-year-old filmmaker, left Tunisia after having taken part in the Revolution. Exiled to France, he’s worried about transmitting his stuttering to Elia, his two year old son. In his pursuit to overcome this challenge, Dhia embarks on a journey of hypnosis and speech therapy sessions. Yet, as these sessions unfold, it is evident that the issue isn’t managing a fluent speech so much as figuring how to talk to Elia about Tunisia, his home country.
One of the most dangerous yet simultaneously highest-in-demand product for a number of uses and years – asbestos is all set for a close-up in this ingenious film breaking down the boundaries between investigative documentary, experimental essay, and video art. Filming every aspect of this covertly lethal mineral, from its molecular structure, and its industrial uses to its removal attempts, with a distinctively artistic and highly inspired cinematic language, the film constructs a mysterious cinematic landscape as unfamiliar as it is entrancing. Sarah del Pino, a multi-faceted and restless visual artist, delivers a film that defies every label but opens itself up to a wide range of interesting fields, steering thoughts and senses to unpredictable, prolific paths.
