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Zeke Morgan-Hind

Zeke Morgan-Hind

Directing

Biography

Zeke Morgan-Hind is a Perth-based filmmaker and media creative whose work spans documentary, narrative film, and educational media. With a passion for storytelling that bridges both the intimate and the larger-than-life, Zeke’s projects often explore identity, resilience, and the hidden stories within everyday communities. Zeke began his directing career with Faces in the Crowd (2018), co-directed with Jake De Agrela, a character-driven drama about a comedian confronting his inner demons on stage. That same year, he directed The Unqualified Artist (2018), a short documentary profiling renowned artist Helen Norton and her critique of tertiary fine arts education. He followed this with the hard-hitting documentary Unsheltered (2019), shedding light on youth homelessness in Perth — a project that demonstrated Zeke’s commitment to socially conscious storytelling. 2019 also saw Zeke expand into narrative shorts, including The Pretender (2019), which examines sacrifice and identity in the corporate world, and CRADLE (2019), a coming-of-age drama co-directed with Jack Bett and Jake De Agrela, exploring teen pregnancy and fractured family bonds. Zeke continued his comedic sensibilities with Hitched (2020), a light-hearted road film about love, chaos, and responsibility. He also contributed as First Assistant Director and Editor on Puncture (2021), a family drama directed by Cassandra Power. After a brief hiatus from directing, Zeke returned with Spark of the Dream (2024–2025), a documentary series following Tom Sapienza’s journey into professional wrestling. This project reignited his drive for long-form storytelling and paved the way for his first feature-length film, The Femme Fatales of West Australian Wrestling (2025). The documentary captures the careers and legacies of five pioneering women who shaped WA wrestling, offering a rare perspective in a male-dominated industry. Beyond film, Zeke also runs Mr Media Creative, producing multimedia content for schools, brands, and independent creatives. His projects reflect a commitment to both creative expression and education, ensuring stories reach audiences in meaningful, accessible ways. Zeke’s work continues to balance the crafted precision of narrative cinema with the authenticity of documentary, cementing him as a versatile voice in the Western Australian screen industry.

Known For

Faces in the Crowd
N/A

A down-spiralling stand-up comedian is forced to confront his inner demons when a routine rehearsal for his comeback show collapses into a brutal psychological reckoning on stage.

Faces in the Crowd

2018
Prompt: Make a Documentary
N/A

Prompt: Make a Documentary investigates the growing influence of artificial intelligence on the film industry. The documentary places the rise of AI within the broader historical context of cinema’s evolution, drawing parallels with earlier technological shifts such as the introduction of sound, colour, and digital visual effects. By revisiting landmark moments in film history, the film demonstrates that disruption has always been part of cinema’s DNA, while questioning whether AI represents a fundamentally different kind of change. Featuring insights from directors, academics, and practitioners, Prompt: Make a Documentary explores the tension between innovation and integrity, the democratisation of creative tools, and the ethical implications of automation in the arts. The film ultimately asks whether artificial intelligence will empower the next generation of storytellers or redefine creativity itself.

Prompt: Make a Documentary

2026
Between Pages: The Story of Marcello Pennacchio
N/A

Between the Pages focuses on lifelong educator and award-winning children's author Dr Marcello Pennacchio, exploring the creation and inspiration behind one of Australia's best-selling children's picture books, Somewhere in Australia.

Between Pages: The Story of Marcello Pennacchio

2025
Skin & Blister
N/A

Two sisters sit in a car, waiting for the heavy rain outside to clear, and reflect on shared trauma.

Skin & Blister

2024
The Femme Fatales of West Australian Wrestling
N/A

In a world where the spotlight has long been dominated by men, five trailblazing women step into the ring to carve out their place in West Australian wrestling history — leaving behind stories of grit, triumph, rivalry, and legacy. The Femme Fatales of West Australian Wrestling is a powerful documentary that pulls back the curtain on a scene too often overlooked. Through the journeys of five extraordinary wrestlers — Chili, Harli Hyde, Layla Divine, Michelle K Hasluck, and Roxy Ryot — we explore the highs and hardships of carving a path in a male-dominated sport.

The Femme Fatales of West Australian Wrestling

2025
Unsheltered
N/A

As of 2015, 42% of Australia’s homeless population is under the age of 25. Perth, Western Australia also has the highest homeless population per capita in the nation. “Unsheltered” offers insights into those trying to fix the issue, as well as those who are currently suffering from being out on the streets, night after night.

Unsheltered

2019
Through the Lens
N/A

Nestled along the Great Eastern Highway in regional Western Australia stands The Big Camera — a museum housed inside a building shaped like a giant camera. What many mistake for a novelty roadside attraction is, in fact, one of the most significant private photography collections in the Southern Hemisphere. This short documentary explores the life and legacy of The Big Camera Museum of Photography and its founder, Charles “Chic” Wadley, whose lifelong passion for capturing and preserving photographic history has created a one-of-a-kind cultural landmark. Through personal interviews, archival imagery, cinematic visuals, and historical context, the film uncovers how this extraordinary museum came to exist, why it remains vital to regional heritage, and what it tells us about photography’s power to document human experience.

Through the Lens

2026
CRADLE
N/A

17-year-old Haylee is caught in a tumultuous time as an unexpected pregnancy and an increasingly strained relationship with her parents has caused her to flee home.

CRADLE

2018