Writing
A staging of the play of the same name at the State Academic Maly Theater of the USSR.
An adaptation of the Gerhart Hauptmann play of the same name. A young farmer's daughter is used and abused by the men in her life.
The film tells the tragic fate of railroad guard Thiel at the end of the 19th century. Thiel, who spends his days in the dull, monotonous fulfillment of his duties, has lost his gentle, quiet wife Minna. He remarries out of concern for his young son Tobias. His second wife Lene, with whom he also has a child, is superior to him in vitality and has a rough passion. He discovers that his child from his first marriage is being discriminated against and tormented by her - Thiel withdraws more and more into himself and becomes lonely. When Tobias is killed in an accident, he blames Lene, and disaster is inevitable...
The story of Hannele, an unhappy girl who is beaten by her stepfather and tries to commit suicide.
Lorenz Lubota is a city clerk with no direction in life. One day on his way to work he is run over by a woman driving a chariot and he is immediately infatuated with her.
No description available.
Mother Wolffen, a washerwoman, is a woman of principle: A poor man must do what he must to get through life, only he mustn't get caught doing it. All sorts of crooked deals contribute to the improvement of the daily menu and the increase of household funds. When everyone is searching for pensioner Krueger's missing beaverskin coat, Mother Wolffen and her family are calmly enjoying fresh roast venison.
Die Weber (1927), a rousing German tale of the 1844 weavers’ revolution.
Soon after World War II, a pregnant Polish refugee, Pauline, wanders Berlin looking for the boyfriend who abandoned her. She has no option but to sell her child to another woman, Anna. After the birth, Pauline decides she wants the baby back.
The emaciated weavers deliver their homework to the factory owner Dreißiger and receive their wages, on which they cannot live and cannot die. Driven by hunger, they ask for more money, but to no avail. Only the young baker and the reservist Jäger put up a fight, and both manage to encourage a large group of weavers to revolt against the factory owner. They break into his house and destroy it, whereupon he flees. The revolt continues, the weavers move through the surrounding villages, where more people join them. A little later, the military arrives to intervene against the angry crowd and restore the old order...
Overwhelmed by personal and professional problems, biologist Friedrich von Kammacher decides to travel abroad in order to regain the joy of living. During his adventurous journey he will meet two very different women, one of whom will be the key to his fate.
Staged by the Leningrad Drama Theater named after. A.S. Pushkin.
Based on a play by Gerhardt Hauptmann, the film details a bittersweet May-December romance between ageing Mathias Clausen and young, beautiful Inken Peters.
A young woman is abused or abandoned by the men in her life.
Der Herrscher (The Sovereign) was based on Before Sunset, a play by Gerhart Hauptmann. The great Emil Jannings stars as Mathias Clausen, a self-made businessman who is forced to do a great deal of soul-searching when his wife unexpectedly dies. Determining to start life anew, he falls in love with his secretary Inken (Marianne Hoppe) and impulsively takes a vacation to Italy. Clausen's selfish grown children, not wishing to share their father's affections -- nor his money -- with his new wife-to-be, go to court demanding that Clausen be declared mentally incompetent. Upon finding this out, Clausen flies into a rage, leaving the audience to wonder whether or not he really as gone off his trolley. Der Herrscher was directed by Veit Harlan, more famous (or notorious) for his viciously anti-Semitic Jud Suess (1940).
