Joey Frank

A failed filmmaker turned single dad tries to make a living while retaining his sense of self, in James N. Kienitz Wilkins’ experimental 3D-rendered home renovation comedy, which doubles as an acidic treatise on working conditions for the contemporary creative.

LaJoye Watkins, a reclusive Black woman living in Brooklyn, is determined to tell a secret she has harbored all her life: electronic music was actually started by Black Southerners in the 1920s.