Nora Conradi

Fresh out of a psychiatric hospital, Pia moves back in with her parents to get her life together. Torn between a new job, lovesickness, psychotropic drugs and social stigmatization, she emerges into a world where everything seems out of control.

Matthias is a master of pretense, from cultured boyfriend to perfect son or marital coach. He makes a career of being someone else. The real challenge begins when he has to be himself.

The Viennese cab driver Maggy has all kinds of problems, not least monetary ones. But suddenly Maggy's financial problems could solve all by themselves when Juliette Koons, who has been reported missing, gets into her cab with a heavy suitcase.

The film is based on the eponymous 1960 novel by author Peter Weiss. In this autobiographical text, the author describes the years of his childhood and youth in Germany in the 20s and 30s as well as the flight of his half-Jewish family from persecution by the Nazis. This odyssey also portrays the young first-person narrator’s struggle for his artistic existence, as he was striving to establish himself as a painter and writer. In a free, sensual essay between fiction and document, realistic description and stylised invention, the film attempts to kindle today’s flame based on the past’s, and to create a new and vibrant third work from it. (Locarno Festival)