Anton Kuznecov

Lear, the aging king of Britain, decides to step down from the throne and divide his kingdom evenly among his three daughters.

Yury Butusov’s final Moscow production is this multi-award-winning work based on Nikolai Gogol’s “Government Inspector.” The play deftly delves into the dual impossibilities of both accepting reality and escaping from it. As with many of Butusov’s stagings, chaos and pathos are seamlessly interwoven, with art presented as both freeing and healing.

Anton Chekhov’s first of four major plays dramatizes the romantic and artistic conflicts between its four main characters: Boris Trigorin, a well-known writer, the ingenue Nina, the fading actress Irina Arkadina, and her son the would-be playwright Konstantin Tréplev. Yury Butusov's Golden Mask Award-winning production abounds in an incredible freedom and openness, delving deep into the throes of artistic creation and the anguish of the artist who struggles to find a language of his own. This is not only a performance about the theatre, it is an anthology of the theatre. Chekhov’s characters are in the process of creating their lives or watching them fall apart, which, according to Butusov, may be a closely related activity.