Jörg-Michael Baldenius

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

A fictionalized version of a military training fight.

A scientist who swore off playing chess after a nervous breakdown as a boy wunderkind, creates an undefeated chess program. But the Russian world champ beats Tommy Rosemund's masterwork in a televised match. So the West German mathematician becomes a top chess pro himself, which the West German media boast will prove the superiority of Germany and democracy. The jowly, white-faced Rosemund believes that the entire Red Communist bloc is out to stop him from vanquishing their atheist pretty boy, Stefan Koruga, to become the next Bobby Fischer and a symbol that capitalism is preferable to socialism.

Every day they clean the dirty windows of their cars from the filthy film that has formed overnight. Measuring stations call a low smog warning. But one day a soccer player collapses on the pitch with breathlessness.

Thomas, the son of a prison warden, falls for Martin, one of the prison inmates. After Martin is released, they try to build a relationship and a life together but, no one will leave them alone.

Karl Maiwald, a Dortmund auto mechanic, struggles amid neighbor disputes and family tension. Discovering his company’s clandestine bugging, he exposes management, expecting union backing. Yet the union’s hidden ownership of the firm stuns him, as he realizes the very workers leading protests are its members.

Dutch police officer Van der Valk is pulled away for a private investigation for a friend of the chief of police to find the missing junior manager. When he gets to know his woman, he is fascinated by the thought of running away with her.

One evening, the once successful architect Helmut is tired of the recession giving no jobs, he gets the idea of robbing a bank. He recruits members of his golf club that are not paying their fees.

The unemployed machinist Alfred "Scheff" Schefczyk moves from Württemberg to West Berlin full of hope, where he finds a job as a transporter. There, however, he despairs at the seemingly insurmountable dependency structures and the lack of solidarity among his fellow sufferers. The rent in the workers' hostel is raised disproportionately, but nobody wants to mess things up with the landlord or janitor. At work, piecework hours are tightened, but nobody wants to go on strike, and when they do, they are quickly crushed by the management's tactics. When Scheff tries to mobilize against the dismissal of one of the delegates, he finds only one worker willing to sign. "Dear mother, I'm fine," he nevertheless writes on a postcard.

A young woman takes the train to Berlin. She wants to kill her friend Wolf, a theater actor. When the woman meets him, he tells her about his weird wife.

After rehab, Manfred Burger seems to have got his alcohol addiction under control and is trying to reorganize his life. Although he is now sober, he soon realizes that society cannot cope with his illness: His relationship with his wife Eva is on its last legs and he loses his job. Nobody seems to understand Burger and his illness. As his life continues to go off track, the bottle soon becomes his daily companion again...

Karl Maiwald, a Dortmund auto mechanic, struggles amid neighbor disputes and family tension. Discovering his company’s clandestine bugging, he exposes management, expecting union backing. Yet the union’s hidden ownership of the firm stuns him, as he realizes the very workers leading protests are its members.

A staging of a young man's liberation from his bourgeois confinement using only music and sounds.

One man interacts with an invisible orchestra, another one is stuck in a bin.

No description available.

Detective Peter Flowers has to deal with Nola, the "most beautiful and corrupt woman in the world"...

Daniel Schmid's actual first feature, made during his (later abandoned) studies at the German Film and Television Academy Berlin (DFFB), is an attempt at an unusual horror film: A little girl asks an older lady to buy her a cinema ticket. They discover that their names are both Miriam. The precocious girl forces her way into the lady's flat at night and demands a snack and presents. When the impudent child wants to move in with her the next day, the lady asks her neighbors for help.

No description available.

A Soldier gets harrased by two young man and one old man.

No description available.