
Ayman Makram
Directing
Biography
Ayman Makram is an Egyptian director. He began his artistic career as a film reviewer and then as an assistant director. He presented many diverse works of art, and among his most important films are Mind Your Own Business, Shikamara, and Hello Cairo. He also directed the series We Are the Students (2011).
Known For

Tarek is a young man who is working at a telecommunications company,and he fell in love with a girl when he heard her voice in a radio talk show. A customer of the company he works at asks him to spy on a girl which stole a valuable thing from him. When Tarek does his searches, he discovers that she is the girl he have dreamed about.
Tarek's Situation

A comedy that conveys a humane message about Egypt's place as the refuge for any Arab citizen that loses their way due to strenuous circumstances and how Egypt will always help the Arabs, regardless of their country of origin.
Hello Cairo

Menahi is a Saudi Bedouin young man, single and living with his old mother. He is a simple, spontaneous and kind-heart man, instinctive and adhering to the ethics of the environment from which he emerged, such as honesty, honor and virility. He dreams of owning a small farm to raise sheep. But he went out into the city and didn't adapt to civic life. —Akram Gus
Menahi

No description available.
Shikamara

Salah is a shy guy who spends his time spying on his neighbour's promiscuous encounters from his window. One day, he gets shocked when he witnesses his neighbour attacking a woman with a sharp object on her head, and fleeing his home right then. Salah rushes to save her, not knowing what he was about to get himself into.
Mind Your Own Business

Khaled Al-Sawy is a businessman who suffers from a mental disorder, which makes him prone to any nervous breakdown. He returns to Egypt from abroad to start over but faces many challenges that change the course of his life.
The Morals of Slaves

The film revolves around an officer who examines some social issues, especially those related to the crises of the poor within moled el saida, and the problems they face.
A Day and a Night

In a context of comedy and romance, Hassan and Malak live in a poor neighborhood whose people feed on chicken legs and skeletons. The film deals with the issue of high prices, monopoly, and the greed of merchants and the resulting difficulties of living, and the extent of love’s ability to withstand this atmosphere.