Sebastián Gómez

Tomás, desperate, knocks insistently on the door of a lonely house. Nobody opens it. When he leaves the place, he sees some bushes moving and goes into a wooded path. Along the way, from his memories, he faces several episodes of fear in his life until he reaches the exit of the path, which takes him back to the door of the house. Tomás enters and talks with a woman (who represents death), at which point he decides to face his fears.

Sara is a judge very committed to the cases she hears in her office. After meeting David, a young artist, on the beach, she must make decisions about her work and her relationship with Lucas, her husband. Sara, through the force of the sea, wants to achieve spaces of freedom. The encounters with a Caribbean woman, Rosa, and an enigmatic man from the city, Virgilio, will be decisive in resolving her personal dilemmas and better understanding the meaning of justice in a society indifferent to the most marginalized people and with enormous inequality.

Diana Rutkus was born a nomad, but she learned this only years later. The daughter of a tightrope walker and trapeze artist mother and a lion tamer and drummer father, Diana spent her childhood between the circus tent and the trailer. Cirquera thus explores a search for a diffuse and fragmented history.