Iñaki S. G. Miranda

“Sofia” is a short film about a divorced woman with a 7-year-old son on the Asperger’s spectrum. Struggling financially, she decides to sell their house, symbolizing their past life. This choice catalyzes her journey of growth and acceptance, driven by her love for her son.

A swimmer drops his sandwich in the pool, confronting his fear of water to get it back. But what starts as a quest for his snack turns into a desperate fight for breath and survival underwater.

A boy looks for money to replace a watch that his father lost on a work trip. Searching the corners of the house, the truths of his parents will be dusted off.

A doctor performs euthanasia inside his car. His new patient seems unsure of her decision, so the two spend the night together. Adrián tries to convince Marina to move on with her life, but the conversation convinces her to end the last night of her life.

Liubov, a Russian lady who lives in Mexico City. During the routine of her day, Liubov will recall the experiences she had with death, from childhood to adulthood.

In a desperate attempt to save their relationship, Fernanda and Nico begin a role-playing game during a road trip, which gradually blurs the line between game and reality.

Maribel, a 50-year-old woman records a video for her lover, named Marcelo, where she narrates different experiences that have led her to the decision to end her life.

Amos, delving into his past, embarks on a journey to relive the conversations he shared with his late friend Vogel. In these nostalgic reunions, Amos immerses himself in memories that hold the unique essence of their relationship. As the memories unfold, an intriguing mystery is unveiled: the encrypted question Vogel sought to answer, "How long do clouds live?".

Ariadna, an elderly woman, is overwhelmed by the pressure of leaving her sister in a nursing home, without having enough money. After robbing a supermarket for the first time, Ariadna will find an escape from the weight of caring for a family member with dementia.

Nohemí and Mary are two women resisting structural violence in Ciudad Juárez. United by pain and hope, both mothers find inspiration to move their families forward. The dragonfly, a symbol they share, embodies their resilience and capacity for change.

Antony, a nurse shaped by his father's early absence and the death of his best friend, moves through his days in a quiet state of disconnection. One night, he encounters a mysterious old man who claims to be a “translator of problems.” Among the buildings of Tlatelolco, hospital wards, and the hidden streets of Mexico City, the two embark on a journey where, little by little, they help each other heal and reframe their understanding of family, death, and salsa.