Directing
Ever in search of adventure, explorer Allan Quatermain agrees to join the beautiful Jesse Huston on a mission to locate her archaeologist father, who has been abducted for his knowledge of the legendary mines of King Solomon. As the kidnappers, led by sinister German military officer Bockner, journey into the wilds of Africa, Allan and Jesse track the party and must contend with fierce natives and dangerous creatures, among other perils.
After his brother Robeson disappears without a trace while exploring Africa in search of a legendary 'white tribe', Allan Quatermain decides to follow in his footsteps to learn what became of him. Soon after arriving, he discovers the Lost City of Gold, controlled by the evil lord Agon, and mined by his legions of white slaves.
A dramatic story, based on actual events, about the friendship between two men struggling against apartheid in South Africa in the 1970s. Donald Woods is a white liberal journalist in South Africa who begins to follow the activities of Stephen Biko, a courageous and outspoken black anti-apartheid activist.
Jake Speed (Wayne Crawford) is the lead character in some of the biggest page-turners of the 1940s. A chiseled, heroic action figure, Speed saves lives on paper, but when a young girl is kidnapped and her sister (Karen Kopins) begs the real-life Speed for help, he must find a way to be as gallant as the book hero whose creation he's inspired. Accompanied by the victim's sibling, Speed flies to Africa to see if he's up to the task.
King Edward asks Sherlock Holmes to perform one more task before his retirement: to safeguard the Star of Africa on a trip to Cape Town. Soon the fabled jewel is stolen and several people end up being murdered.
Nelson Mandela becomes South Africa's first Black President, and was awarded the Nobel Peace Prize for his leadership in negotiating a bloodless revolution in that country.
Based on the prize-winning novel by Dambudzo Marechera, on growing up black in white Rhodesia, and the exiled writer's return to the newly liberated Zimbabwe.
This documentary shows how cinema has been used very differently in three neighbouring African countries with different colonial heritages: Zimbabwe, Mozambique and Madagascar. Mozambique used cinema newsreels as a crucial propaganda tool after the Portugese colonisers left. Madagascar boycotted US movies, so its screens were dominated by French, Indian and Hong Kong films instead. But a few films managed to get made. The situation in Zimbabwe was the worst, except that alone of the three countries it possessed an efficient film laboratory.
A jaded soldier-of-fortune who runs a bar in Zimbabwe aids a bank-robbing couple in their attempt to evade the authorities.
