Daksh Punj

Kaushik Mukhopadhyay assembles and pairs discarded and broken household gadgets into unexpected cyborg-like creatures that occupy the space between machine, toy and home. His objects are quirky, humorous and noisy which tend to break down sometimes. The Film brings to light these narratives of unexpectedness, embodying fragments of political, personal and art history.

Brair Kani explores an ancestral house located in Srinagar, Kashmir. Using the attic as a site of reflection, the film navigates the relationship between space, belonging and personal history. Inhabiting the confines of the attic, the house spirits exist simultaneously as carriers of collective memory and as manifestations of the emotional landscape.