Cristina Alcázar

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

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A caustic satire of many of the 'types' found in Spanish society.

It tells the stories of a group of teachers and students from a central fictional school in Madrid. Under the gaze of some new teachers, newcomers to the center, we will know the passions, interests, aspirations and dreams of a group of rebellious teenagers who are in their last years of high school.

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María is a thirty-year-old from Madrid who is dissatisfied with her existence and, despite her efforts to make an artistic career a reality, she has no choice but to end up working in a flower shop in her neighbourhood.

Four people traveling in a van run over a lone woman while she is walking in the dark down a country road. After loading her into the vehicle to take her to the nearest hospital, they notice that she is behaving rather strangely. The occupants of the van soon realise that the time has come to fight for their lives, and together they agree on one very simple rule: "do not sit next to her."

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A young man becomes convinced that the solution to all his problems is to live in jail, and he will do whatever it takes to get it.

Tell the history of a married couple (María Pujalte and Javier Cámara) that at the beginning of the 80s they become the first divorced family in the democratic Spain.

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Cris and Diego just broke up and agree they want to stay friends. But that gets tricky when they move back in with their parents. The grandparents are eager to treat them like kids again. It doesn't matter that Cris and Diego are over forty years old, or have a five-year-old daughter, Cloe.

Candela, the headmistress of an elite school, after a traumatic divorce, returns to her old high school to lead a group of rebellious students through chess. There she will learn that in chess, and in life, it doesn't matter if you are a king or a pawn, because everyone ends up in the same box.

Fernando (Fernando Tejero) is a loser. A gray type, without ambition, that works like bookcases distributor in a supermarket of the quarter. In his free short whiles, he is a substitute keeper of a football team, a third regional one. In all the season he has not played a single minute. But the last Sunday of the league the referee indicates penalty and the regular keeper injures itself. Fernando must occupy the goal for the first time. If penalty scores, the team of the district will proclaim champion. If no, all the effort of a year will not have been worth for anything. When the penalty is just about to be kicked, a group of indignant fans with the referee invades the field and prevents the kick. The competition committee decides that the penalty must play the following Sunday, in the same goal, with same players and the field closed to the public. El Penalti más largo del mundo, (The Longest Penalty Shot in the World) is exactly the history of that week of delay.

A photographer and a journalist who despise each other must pretend that they are a couple when they are sent to cover the story of a guru, and encounter a number of off-the-wall situations en route through Galicia.

With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.

Julia is saying goodbye to the last visitors who have come to the house after the sudden death of her husband. When it seems that finally has a moment of intimacy, Susan knocks on the door. Despite Julia's refusal to let her pass, Susana rebukes her, arguing that she has the right to say goodbye to her husband.

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The story is set during the early 1980s in a small town in rural Spain. El Chiqui is a talented young man about to debut in the local bullring, expected to continue the legacy of his family name. But that is not what he truly wants. His secret relationship with a young man from the town, Nicolás, offers an escape from the village, leaving the family pressures behind.