Laura La Plante

Telephone Time is an American anthology drama series that aired on CBS in 1956, and on ABC from 1957 to 1958. The series features plays by John Nesbitt who hosted the first season. Frank C. Baxter hosted the 1957 and 1958 seasons. The program was directed by Arthur Hiller.

This special is the second "Night of 100 Stars" to benefit The Actors Fund of America. Edited from a seven-hour live entertainment marathon that was taped February 17, 1985, at New York's Radio City Music Hall, this sequel to the 1982 "Night of 100 Stars" special features 288 celebrities.

The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.

A large-scale revue musical built around Paul Whiteman and his orchestra, presenting a series of musical performances, sketches, and staged tableaux in early two-color Technicolor, emblematic of Hollywood’s early sound-era “all-star” musical productions.

Universal star Laura LaPlante stars in this lighthearted comedy based on Sophie Kerr's magazine story, Relative Values. Octavia Lowden (LaPlante) has virtually become a drudge in order to support her sponging relatives -- flapper sister Eloise (Lucille Ricksen), hypochondriac Aunt Minnie (Lydia Yeamans Titus), and storytelling Uncle Eph (James O. Barrows). Only Octavia's frail grandmother (Jennie Lee) really needs help. When Octavia's sweetheart, photographer Pritchett Spence (T. Roy Barnes), discovers the toll these bloodsuckers are exacting, he plots with the family doctor to rescue her.

In this partially lost silent film, a man working as a motion picture extra in Hollywood westerns impresses a visiting sheikh with his boxing skills and is engaged to go to Arabia, where he becomes involved in warring and falls in love with a beautiful princess.

A documentary about the era of classic monster movies that were made at Universal Studios during the 1930s and 1940s.

Ann Barton, the daughter of a once-wealthy family, is forced to clerk at the cigar counter of a village hotel, where she meets James McDonald, a breezy, handsome salesman. Ann is adopted by an aristocratic aunt, who disapproves of James's manners and breaks up Ann's relationship with him. Ann soon revenges herself on her aunt by placing both her aunt and herself in compromising positions.

A West Point graduate jilts his girlfriend but runs into her later at an Army outpost.

Rich old Cyrus West's relatives are waiting for him to die so they can inherit. But he stipulates that his will be read 20 years after his death. On the appointed day his expectant heirs arrive at his brooding mansion. The will is read and it turns out that Annabelle West, the only heir with his name left, inherits, if she is deemed sane. If she isn't, the money and some diamonds go to someone else, whose name is in a sealed envelope. Before he can reveal the identity of her successor to Annabelle, Mr. Crosby, the lawyer, disappears. The first in a series of mysterious events, some of which point to Annabelle in fact being unstable.

Idalene Nobbin attends a village dance but, due to the constant nagging of her mother, she believes herself to be a constitutional wallflower. By great luck she gets a dance with college football star Roy Duncan, although Roy has eyes for the village belle Prue Nickerson.

A slapstick burlesque of 19th Century Victorian melodrama featuring a parody of Holmes and Watson who rescue a heroine held by a mustache-twirling villain in a den of caricatured Chinese gangsters.

In this operetta, the captain of the king's guard secretly works for the rebellion during the French Revolution and is in love with the movement's symbolic leader.

A spinster finally finds the right man when she returns to her alma mater after 15 years for a class reunion.

Stout Hearts and Willing Hands is a 1931 short comedy film directed by Bryan Foy. It was nominated for an Academy Award in 1932 for Best Short Subject (Comedy), but was disqualified.

Jimmy Wood, a chauffeur, is mistaken for famous racing driver Splinters Wood. Because he is deeply in debt, he enters a race on the advice of Betty Rockford, daughter of a wealthy automobile manufacturer.

A successful businesswoman falls in love with one of her much younger factory workers. She doesn't know that he is in love with her younger sister.

This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel

1929 picture starring Laura La Plante, Huntley Gordon, and John Boles.

A chorus girl loses her job and thus the room she owes back rent on, and ends up being rescued from the street by a dashing rich man. But his family isn't over-accepting of chorus girls joining their family.