Michael Pertwee

Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.

Danger Man is a British television series which was broadcast between 1960 and 1962, and again between 1964 and 1968. The series featured Patrick McGoohan as secret agent John Drake. Ralph Smart created the programme and wrote many of the scripts. Danger Man was financed by Lew Grade's ITC Entertainment.

An English aristocrat and an American millionaire come together to tackle crime.

A television anthology series hosted by Alfred Hitchcock featuring dramas, thrillers, and mysteries.

Adventures in Paradise is an American television series created by James Michener which ran on ABC from 1959 until 1962, starring Gardner McKay as Adam Troy, the captain of the schooner Tiki III, which sailed the South Pacific looking for passengers and adventure. USA Network aired reruns of this series between 1984 and 1988. The plots deal with the romantic and detective stories of Korean War veteran Troy. The supporting cast, varying from season to season, features George Tobias, Guy Stockwell, and Linda Lawson.

Suspicion is the title of an American television mystery drama series which aired on the NBC from 1957 through 1959. The executive producer of Suspicion was film director Alfred Hitchcock.

Comedy Playhouse is a long-running British anthology series of one-off unrelated sitcoms that aired for 120 episodes from 1961 to 1975. Many episodes later graduated to their own series, including Steptoe and Son, Till Death Us Do Part, All Gas and Gaiters, The Liver Birds, Are You Being Served? and Last of the Summer Wine, which is the world's longest running sitcom, having run from January 1973 to August 2010.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

Follow the swashbuckling exploits of Simon Templar, a modern-day Robin Hood of sorts.

Drama 61-67 is anthology drama series which took a different title, based on year of transmission, each year. It alternated with Armchair Theatre from ABC in the Sunday evening slot. The series was described at the time as epitomising ATV drama.

Hong Kong is a 26-episode adventure/drama series which aired on ABC television during the 1960–1961 season and helped to catapult Australian actor Rod Taylor into a major film star, primarily in the 1960s, beginning with his role in Alfred Hitchcock's The Birds. The series was a production of 20th Century Fox Television, and the final credit of each episode stated: "Filmed by Twentieth Century Fox Television Inc. at its Hollywood studios and in the Crown Colony of Hong Kong".

Michael Strait is a world-renowned photographer whose assignments lead him into investigating mysterious goings-on amongst the rich and glamorous and intrigue from far-flung places as Iraq, French Indochina, and Algiers.

An anthology series with the premise that there is a story behind every door.

Barry Ovis is Parliamentary Private Secretary to the Minister for European Affairs, Sir William Mainwaring-Brown. Sir William has a very active libido and often gets up to non-portfolio activities. Ovis has to cover for him (usually very badly), and misunderstandings then pile on top of misunderstandings.

Five Fingers is an NBC adventure/drama series set in Europe during the Cold War loosely based on the 1952 film 5 Fingers, starring James Mason and Danielle Darrieux. It ran from October 3, 1959, to January 9, 1960. David Hedison starred as 32-year-old Victor Sebastian, an American counterintelligence officer with the code name "Five Fingers". Luciana Paluzzi played Simone Genet, Sebastian's secretary and romantic interest. Paul Burke played Robertson, Sebastian's contact man. Five Fingers itself was based on the book Operation Cicero by L.C. Moyzisch and on the memoirs of Elyesa Bazna. Bazna was something of an antihero in real life; the television series transformed the character from a World War II-era mercenary Albanian into a Cold War era heroic American. Sebastian posed as a Communist to gain information on party activities. His public cover was that of a theatrical booking agent for clubs and cafes throughout Europe.

A wily slave must unite a virgin courtesan and his young smitten master to earn his freedom.

A Texas girl wins a trip to Italy where she meets a prince who's afraid to admit that he's flat broke (so is she). They strike up an affair, but things come to a crazy conclusion when he tries to bribe a horse to win a race at the Palio racing grounds.

After a hasty wedding, Carter and Toni find that they disagree on everything. They separate and seven years later, on the eve before their divorce, meet again and spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on — until Carter finds out that an important promotion hinges on whether he's married.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

In a small town in the 1950s a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's directors. The producer doesn't try to hide his annoyance about it, and is further exercised when the authoress herself arrives to help. The cast have to try and sort out real-life problems that keep intruding as they wrestle with the play's dire dialogue.