Zoe Charlery

Don’t Look at the Finger follows a ceremonial ‘fight’ between two protagonists, a man and a woman, in the grand architectural setting of a church. The way the characters communicate is a feat of choreography that combines Kung Fu with signed languages to express a ritualistic coming together.

In this profound meditation on Black aquatic experiences, Barfod weaves experimental animation with intimate conversations with Black swimmers from Glasgow and London.