Agnès Hayden

Light of God dimming weak.

At night some use the city as their own playground, garbage turns into confetti and the world is an infinite slide. However, light changes everything.

La Pocha Film is a film-diary of a road trip with friends based on a match of the La Pocha card game. Four perspectives that altogether portray a collective experience of friendship by intertwining chance with structure, portraying a space where play and filmic practice meet.

A photographic emulsion is a photosensitive chemical compound used in film to create an image when exposed to light. Agnès' artisanal emulsion drives this work, crafted with the precision of a contemporary alchemist.

This film delves into the intrusion of the physical and material body, structured around three instructions. It represents a progression in the search within, driven by the need to pierce through the flesh and opacity of the body to uncover what resides inside, whether out of morbid curiosity or as a form of love.

God is in your Google search engine, in your microwaved dinner, in your personal notepad, in your body dysmorphia, in your atheism, in the way you observe things. God, or the Internet, however you would like to call it, work similarly. Omnipresent, influential, and permeating everything in its path, at the same time and everywhere. An entity that materializes through the infinite traffic of images.