Mieczysław Wojtczak

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Despite the anti-Semitic campaign launched by the Polish People's Government in the late 1960s, director Jerzy Hoffman finishes working on the film Pan Wołodyjowski. It becomes the ticket to the production of Potop, the most expensive film in the history of Polish cinematography. During his work, the director not only has to deal with mounting production problems, the distrust of the People's Government, but also with the expectations of millions of Poles.

After his brother dies in a car crash, a disgraced MMA fighter takes over the family nightclub — and soon learns his sibling's death wasn’t an accident.

A comedy about men who crave a carefree, commitment‐free life. The “bears” are grown‐up boys, mature in age but perpetually immature as partners.

A pair of amiable ex-cons retreat to the country for a fresh start - until a family reunion and a health emergency put them at odds with the law again.

Inspired by true events, a story of a blind grand piano genius. As a child Mietek loses his sight. His mother places him in the care of the nuns in Laski. At the centre for the blind the boy discovers that music may be his way of seeing the world again and of describing it. Mietek goes on to become a brilliant classical pianist. Once he discovers jazz music, though, he has only one goal left: to become the best jazz pianist in Poland. He is more and more successful, not only in Poland but around the world. He wins the prestigious Montreux Jazz Festival. Unexpectedly, a charismatic vocalist, Zuza, walks into his life. This meeting will change it forever.

The unique story of film directors who managed to critic the Communist regime while being produced by the State: this is Polish cinema's golden age, in the 1970s. Director Ania Szczepanska, born in Poland and raised in France, meets prominent filmmakers, producers, actors such as Andrzej WAJDA, Marcel LOZINSKI, Krzyszstof ZANUSSI, Kristina JANDA, Ryszard BUGAJSKI and confronts them the testimonies of the State men of that time. Through unknown archives, forgotten documentaries and excerpts of cult films, she relates how the Solidarnosc people ended up in Cannes.