
Pedro Rivera
Directing
Biography
Pedro Rivera, born on January 5, 1939 in Panama, is a narrative writer, poet and filmmaker. Among his poetry books are worth to mention Las voces del dolor que trajo el alba (1958), Panamá, incendio de sollozos (1959), Los pájaros regresan de la niebla (1969), Para hacer el amor con la ventana abierta (1989). His narrative and essays include a great number of tittles among which the most outstanding are Las huellas de mis pasos (1993), Todo sucedió mañana (1993), Crónicas apócrifas de Castilla de Oro (2005). He has received the Ricardo Miro prize several times in the genres of poetry, short story and essay. His films have been awarded at international film festivals (Havana, Tashkent, and Leipzig). He is director of the Experimental Group of the University Cinema (Grupo Experimental de Cine Universitario, GECU) of the Panama University. He is a member of the Superior Council of the New Latin American Cinema Foundation.
Known For

Afro-Antillean workers hired for the construction of the Panama Canal are brought from their homes to work in conditions that were not those promised. They, the descendants of African slaves and domesticated from England, manage to raise their voices against American injustices.
Nosotros los del Silver Roll

Based on the novel by Venezuelan writer Enrique Bernardo Núñez, the film tells the story of engineer Leiziaga discovering his historical doubles in the context of the colonization of the island of Cubagua in Venezuela. In this way, two stories are intertwined: one that takes place in the 16th century and another in the 20th century. The first story focuses on the life of the Spanish settlers who arrived in Cubagua and the exploitation of the indigenous peoples for pearl extraction; the second story, set in the 1920s, tells of Leiziaga's archaeological expedition, financed by a multinational oil company, in which he visits the island to study the ruins of the Spanish settlement, which leads him to reflect on the passage of time and the destruction caused by human exploitation, and through a game of mirrors, to realize the relationships between the past, present and future.
Cubagua

Based on a poem and archive images, the military aggression of the US army stationed in the Canal Zone against the Panamanian people who demand to raise their flag in the territory occupied since the beginning of the 20th century is reconstructed and denounced. The aggression that occurred between January 9 and 11, 1964 left a balance of 21 patriots.
Canto a la patria que ahora nace
One year after the creation of the National Assembly of Community Representatives (1972), a new power structure established by the government, significant changes had taken place throughout the country. This documentary records the most important of these transformations, as well as the working methods of the Assembly. It follows the consultation tours organized by the Legislative Council, during which basic forms of grassroots organization are discussed at the community level. The film also draws a parallel between life in the countryside and in the city.
Un año después
In March 1973, the United Nations Security Council met in Panama City to debate the Panamanian claim for a new treaty that would end the colonial presence of the United States in its territory. The majority of the participating states of the Council recognize the justice of Panama's cause and give it their support, but the United States vetoes the resolution.
Ahora ya no estamos solos

Synthesis of the first stage of the comprehensive development project for the Bayano region, aimed at converting a marginalized rural region into a pole of national development. 34 thousand hectares of jungle are cut down and burned to be converted into a lake that will serve as a reservoir for a state hydroelectric plant.
Aquí, Bayano: Cambio… La Quema
The Nicaraguan revolutionaries, determined to overthrow the bloody dictatorship of Anastasio Somoza, enjoyed the semi-clandestine support of the Panamanian government and popular organizations from 1974 onward. Following the Sandinista Front's victory, which toppled a dynasty that had ruled for over 45 years, General Omar Torrijos visited that sister nation to strengthen ties between the two peoples.
¡Aquí hay coraje!

Documentary dedicated to Manuel Tito Benitez, a volunteer member of the Student Federation of Panama who died in an accident while performing volunteer work in the remote region of Coclesito. The film depicts this experience and testifies to the efforts of the students in the struggle for national liberation.
Hombres de cara al viento
For the first time, a painting contest is organized whose theme is the fight for Panamanian sovereignty over the Panama Canal. A primordial experience in the country, its executors, popular artists born in the bowels of the countryside and the city, provide an enriching testimony of their lived experiences in the face of colonialism.
Soberanía
Documentary about the strike of March 1976 in the Panama Canal, promoted by the United States.
Mi pueblo habla, mi pueblo grita
Documentary by Pedro Rivera.
¡Belice vencerá!

As part of the process of political and social transformations undertaken by the military government, a new political model based on the election of corregimiento representatives (505 in total) popularly chosen and that will replace the former Assembly of Deputies controlled by political parties by political parties traditional The majority of the members of this new political experiment are peasants, indigenous, workers and community leaders.