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Michèle Waquant

Michèle Waquant

Directing

Biography

Michèle Waquant was born in Quebec City in 1948. She lives and works in France, where she teaches photography at the École Nationale Supérieure d’Arts de Cergy. Through her video, photography, painting, drawing and writing, Michèle Waquant always expresses a devoted and patient gaze upon the events, places and gestures of everyday life. Her work has been exhibited in Canada and abroad. Among many such solo shows have been Médianes, produced by the Galerie de l’UQAM in 1999 and presented in France at the Galerie de l’École Supérieure des Beaux-Arts de Marseille, L’amoureux, organized by the Galerie Corinne Caminade in Paris in 2002, and L’observatoire, presented at the Centre d’art Passerelle in Brest in 2003. Michèle Waquant’s works can be found in numerous private and public collections. [Source: VOX, 2005]

Known For

What do old bears dream of?
N/A

Meanderings through a city and associations between sequences of animals enclosed in zoos and their depiction in furniture and objects. Notes on language customs, confinement, abnormal behaviour, nostalgia for savagery, a museum of natural history and male-female relations. Filmed in Super 8 and video, this tape was produced after the famous case of a Japanese cannibal that rocked the Parisian media.

What do old bears dream of?

1982
Débâcle
N/A

A torrent of words, of tenderness, of violence, of sense, and nonsense. Exasperation in speech as it butts up against things and repeats in a million ways its submission to nature and life. Red night. Collapse of night as dreams topple to their own destruction. Ruin, as an inescapable as the impediments we place before ourselves, destiny which sweeps us away, and on which we have so little hold.

Débâcle

1992
Le néflier
N/A

A tree on the banks of the Seine. The title, in Morse code.

Le néflier

2014
Le portrait de Pauline
N/A

Pauline has a daydream inspired by Manet's paintings. The point of view of painting, and the question of the movement. Close-ups of Pauline, quiet, laughing or serious. Her voice in Paris, her accent, the music she listens to. The sounds of her house, and of her life being led. At a distance.

Le portrait de Pauline

1984
Les bruits blancs
N/A

The term "white noise" describes the technical application of a certain quality of background noise obtained by emitting constant energy to different sound frequencies. This effectively "cancels out" the frequencies and the equivalent of "silence" is produced. Les Bruits blancs centres on a dual polarity: the Parisian periphery - the perimiter boulevard of Paris - its urban landscape, and the flux of a water current - the St. Laurent seaway which circles Montreal.

Les bruits blancs

1990
212, rue du Faubourg St-Antoine
N/A

This video suggests a dialogue between two buildings : on one side, the empty wall of 212, rue du Faubourg, and on the other, the view from a work room. A busy neighbour, a woman, accentuates the passage of time and the sound relates the presence/existence of a world outside the frame.

212, rue du Faubourg St-Antoine

1989
Crucifer
N/A

An urban sound landscape is transformed into techno music. The city moves from day to night. Drugstore crosses multiply and pulse according to their own rhythm. They are transformed into a sky of crosses.

Crucifer

1998
L'étang
N/A

A walk within a place which possesses its own rhythm, in the heart of the city: the garden. A dream amongst the trees, children, birds and strollers. Like mental images of the dreamer, fishermen watch over these scenes. A line links them to the mysterious world where fish evolve. This video was filmed in October 1984, at the Saint-Mandé Park, and contains images taken at the Trocadero Aquarium.

L'étang

1985
Their Hands
N/A

A fantasy using hand movements, involuntary gestures, attitudes and habits. With the absence of words, these movements become choreographies. A musical passage alerts them and guides them like a punctuation, or carries them towards unexpected fictions. At times calm, curious, anxious or very nervous, a parrot appears among the various monologues and dialogues which form and come undone...

Their Hands

1987