Lev Krovitskiy

A beautiful maiden, Marya Morevna, gives her prospective husband, the mighty warrior Nikita Kozhemyaka, three riddles to solve before she'll marry him. Before he can tell her the answers, the Russian land is invaded by the armies of Kashchei the Immortal, in whose footsteps death and destruction follow. Marya is abducted by Kashchei, and Nikita finds his home in ashes. Nikita meets a kindly wizard who gives him a cap of darkness. With it, the hero will find a way to save his bride and rout Kashchei.

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A film based on the life of the Russian scientist, Klement Timiriazev, who taught at Cambridge and Oxford and was awarded the Newton Mantle for his work. Timiriazev, one of the few outstanding Russian scientists who (publically) backed the Soviets in their revolutionary campaign, was later elected a delegate to the Leningrad Soviet by the sailors of the Baltic fleet. There he denounced his fellow scientists for failing to aid the Soviets and predicted that such aid would come.

Three friends, three young surgeons, returning from war, begin working on a complex medical problem. Their hard work does not yield the desired results, and two of them lose faith in success...

A story about two teenagers and their life during WWII in Urals district of Russia.

One night, the crew of the Derbent tanker receives a signal about oil ignition on the Agamali tanker. Despite the fire threatening to spill onto the ship, Derbent is in a hurry to help ...

Anton Ivanovich Voronov is a highly respected professor at the Moscow Conservatoire, who places the music of Bach above everything else and regards it as the ultimate yardstick by which other musical accomplishments must be measured. His daughter, Serafima, is an aspiring singer with great potential, and her father’s anger is aroused when she begins singing in the operetta composed by Aleksei Mukhin, thus abandoning what he considers the higher calling of opera. Mukhin’s work, however, demands a high level of ability from his soloist, and Anton Ivanovich is persuaded of the legitimacy of operetta as a musical genre when, in a dream, he is visited by Johann Sebastian Bach himself, who tells him that ‘people need all kinds of music’.

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