Maria Bill

Max Liebermann, a student of Sigmund Freud, helps Detective Rheinhardt in the investigation of a series of disturbing murders around the grand cafes and opera houses of 1900s Vienna.

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Trautmann is an Austrian television series.

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Stories about four generations of women – their life at home and at work, their private and political relationships with the years.

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After the passing of her husband, the commissioned painter Anneliese Psiko decides to travel across the country. In the Austrian province of Styria, she discovers a strange work of art entitled "Weltmaschine" (World Machine). From now on, it will change her life significantly.

Franz is by far the smallest in the class, has blond ringlets and gets a high-pitched squeaky voice when he gets upset. Luckily, two best friends help: Gabi and Eberhard. When Franz discovers Hank Haberer's "10 rules for a real man" for himself one day, turbulence is inevitable and the friendship of the three gets into trouble.

In the second part of the successful children's book adaptation, Franz, Gabi and Eberhard go on a turbulent hunt for criminals during the summer holidays – and uncover a completely different secret in the process.

Two yuppies play mean pranks on those around them until one joke has unexpected consequences.

In this highly symbolic political allegory, Averill is traveling through a troubled countryside amid rumors of war to visit his father. He reaches a train station in a city which is paralyzed by a transportation strike and is forced to take lodgings in a bizarre, unattractive town populated by seemingly malformed individuals. After a while, he begins to try to woo a much older woman, and symbolic images of entrapment, imprisonment and erotic enticement mark his adventures in this regard.

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The story tells of a love which after ten years is beginning to grow old, and of the attempt to turn the imminent end into a new beginning. After ten years of eventful relationship, man and woman have finally decided to say yes to each other in an abandoned railway station on the edge of town. It is the first evening in their new home. Everything is temporary, nothing is finished. The furniture has not yet been delivered, the heating is not functioning yet, the telephone is not connected, neither is the television. They are inescapably confronted with their own selves and with each other. And although, at least at the beginning, they fervently strive for love and harmony, the past catches up with them. When he, as always, seeks to withdraw by taking flight, he discovers that his key does not fit. He is at her mercy. Ruthlessly, they call each other to account.

Karl Hirnschall is in his thirties and is a member of a Viennese avant-garde theatre group in the early seventies. When he is finally fed up with acting for low fees, he goes back to his former life. He becomes the "right man" for a grocery firm whose products he sells with great success. The neo-salesman manages to acquire a furnished appartment for himself and his young girlfriend, Traude. When his income does not keep pace with his expenditures, Karl resorts to shady business deals.