Bernardo Guimarães

Kings will tell the story of the nation of Israel, from the moment when the last judge, the prophet Samuel, is used by God to guide His people, to the sad fall of Jerusalem, caused by the armies of Babylon.

Vitor is 18 years old. Recently graduated from high school, he's not quite sure what to do with his life. He enjoys soccer, watches superhero movies, and plays video games in his free time. Vitor is also extremely romantic—in his own way. Marina is 24 years old and a Virgo. Finishing the final semester of her veterinary medicine degree at the university she always dreamed of, she's preparing for a new chapter in her life. She likes Brazilian Popular Music (MPB), astrology, cycling, and French cinema. Marina isn’t easily won over—until now. In a completely awkward date, Vitor and Marina discover what their age difference can bring.

With her partner lost at sea, a young woman begins to question her perception of reality and identity.

Joca, a 21-year-old, hosts a gathering with friends at his home. As a vinyl enthusiast, he showcases his collection and plays one of the records. His friends - Vitor and Rebeca - arrive, and conflicts arise. Vitor and Joca argue about Joca's record collection, leading to Rebeca feeling unwell. The next day, Joca wakes up with little memory of the previous day, finding a bottle of alcohol indicating excessive drinking. Before he can reflect on the night, he receives a mysterious delivery: a vinyl record. The record plays a bizarre song with warnings for Joca, but he doesn't take them seriously. Mysterious phenomena start occurring, leading to a mysterious revelation for the character.

Frederico and Julieta share a young marriage, caught between crises and reconciliations. When Julieta’s behavior suddenly changes, Frederico searches for answers — only to discover that under the table, a third pair of legs might change everything.

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The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.