Agustín Giacomelli

"Sanctuary" is a documentary short film that takes us into the life of Carlos, a dedicated niche caretaker who has been working for 20 years at the Chacarita Cemetery, located in Buenos Aires, Argentina. Through his narration, we discover the profound influence his father had on his life and how Carlos establishes an intimate connection with his profession.

"Stolen House" is a documentary short film that follows the migration story of Mark, a Russian photographer, and Katya, a Ukrainian artist, to Argentina. Through narrations, staged scenes, and archival material, fragments of their lives, feelings, and motivations are explored.

Gaspar is a young man who, on an ordinary day, hears a mysterious voice calling to him from inside the bidet in his house. Intrigued, he becomes obsessed with discovering the source of the voice—until he decides to climb inside the bidet himself. This leads him to an underground world where he meets the Lady of the Pipes, a peculiar figure who controls the flow of water.

Ituzaingó's peace is shattered when a real estate agent plans to demolish the neighborhood's famous monument replicas to make way for modern towers. Faced with the threat of losing their heritage, the neighbors must unite in a daring plan to defend the identity of their streets.

At dawn, Osvaldo, a maintenance worker, carries out cleaning tasks along the riverbank. Among the debris, he finds peculiar objects, which he carefully sets aside in a separate bag. Later, sitting by the water, he examines and draws the ones he finds most interesting—an activity he practices daily during the short break he gets from work.

Miguel, a rookie field reporter with more nerves than experience and a strange devotion to a holy card featuring Yanina Latorre’s face, is assigned to cover the birthday celebration of Niki Takitakis live. What starts as a social event gradually spirals into chaos: the presence of a congressman accused of corruption, knives, and an angry neighbor bursting in with insults and inappropriate comments turn the coverage into an increasingly absurd spectacle.