Directing
An embarrassing problem emerges in a quiet household somewhere in a province of Sri Lanka. The patriarch of a lovely family suddenly dies in front of the TV one fateful night. He experienced something soulfully romantic before his last breath and the most sensitive part of his deceased body still functions without pulse or blood pressure. His two grown sons and a mourning mother are eager to bend down the standing organ to avoid shameful reactions at the funeral.
After discovering their father dead, two estranged brothers are shocked to find something inside him is still alive. What should have been a day of somber mourning breaks Into a complete bedlam as the two sons try to conduct the funeral as discreetly as possible. Forced to navigate nosy relatives, hidden family secrets, and their own strained relationship with their father, the brothers must hold it all together—or risk letting everything unravel.
An innocent father and his blind daughter with a doll spend their days within the walls of a bunker during the final stages of civil war in Sri Lanka. The surprising third character connects the father, daughter and the doll in a sorrowful manner. The blood tears they shed during the darkest hours are unheard by many. The characters represent the current stages of the tamils in Sri Lanka. The ones who died, disappeared and the living dead.
The lives of a middle-class Sri Lankan family are disrupted when they learn their maid has cancer, leading to a series of events that expose underlying social tensions and culminate in a tragic climax.
