Lee Mi-rang

They're losers, but nice ones. Every day they sit at Yeri's bar, smitten by the young Chinese-Korean woman. Yeri doesn't have a preference. To her, they are equally sweet: Jongbin, a milk-drinking epileptic, Ikjune, a former petty criminal, and the introverted Jungbum, who fled from North Korea.

A South Korean woman in her sixties enrolls in a poetry class as she grapples with her faltering memory and her grandson's appalling wrongdoing.

Green is a professor in a long-term relationship with her lesbian partner. Failing at preparing the deposit for the house and Green being laid off for helping her homosexual colleague, the only option they can choose is to move in with Green’s mother. As their awkward stay prolongs, the mother drives all her energy into her job as a caregiver.

Dear you, unrelated is a contemporary project that dares to believe in the potential of fiction. Directors Lee Mi-rang and Lee Jong-su attempt to imaginatively restore the lost ending of The Widow. In The Widow: Rewoven, Lee Mi-rang reimagines the protagonist Shinja making a radically different decision from the original. Her film captures the inner turmoil and determination of a woman once dismissed as an Après-girl, tracing her hesitant yet resolute steps toward a new path. In Bearer of Dawn, Lee Jong-su presents a fictional scenario in which Shinja seeks revenge by finding a blacksmith. A newly added sequence in which she chooses a sword shifts the film's tone from drama into one infused with the suspense of a thriller.

Two sisters have an awkward relationship, and their mother also experiences a difficulty in relating to her younger daughter. Upon the suggestion of the elder daughter, the three women go to a public bath far from home. The initial discomfort among them gradually fades at the bath. In the course of their conversation, a secret underlying the tensions in the family comes to light.