Mariola Olejniczak

The film Survival offers a grotesque critique of homelessness and environmental decay through a unique blend of live-action and diverse animation techniques, including pixilation and 3D. As an auteur project, it integrates these styles seamlessly to create a striking artistic vision. Its scenography embraces upcycling or "trash art," echoing Marcel Duchamp’s legacy of elevating banal objects into profound art. By incorporating street art and graffiti, the film sparks dialogue about art’s role in society. This innovative approach transforms waste into priceless commentary, challenging viewers to reconsider their surroundings and the nature of creativity itself.

In a small village, in a modest cottage, lived a mother with her three sons. Each of them was different. The eldest stood out for his strength and beauty, the middle one for his knowledge, and the youngest for his love of nature. Everyone made fun of the youngest. Once, they sent Jędrek to a nearby forest called the Black Forest. There, the young man met a dangerous sorcerer who was holding a beautiful princess captive on Glass Mountain. Upon returning home, Jędrek shared this news with his loved ones. The brothers decided to defeat the evil sorcerer and free the princess, but each of them had a different goal in mind.

Film from the series Polish Tales and Fables, season 1 (based on the legend of Wielkopolska 'O Macieku Borkowicu i diable Boruta')

A story showing that the devil is not as black as he is painted.