Diana Cantarey

During the 2020 pandemic summer, El Colegio de la Desextinción infiltrated into the holidays of four Divine Caste’s descendants. This elite built its wealth on slavery in the sisal plantations of Yucatán, Mexico, at the end of the 19th and beginning of the 20th century. Every year these families move to their opulent summer houses at Chicxulub Puerto, built at the same place where the asteroid that killed the dinosaurs hit. In these apocalyptic beaches, seducers of asteroids and conquistadors, we proposed the young heirs to write and star in a film about Chicxulub’s crater, in which they staged their entrepreneur fantasies.This documentary is the result of the political unconsciousness of this peninsular ethnic group.

Crude secrets about the Cantarell oil field, Mexico's most prolific offshore oil reserve, are portrayed in reverse in the visionary documentary Pozo. The mysteries of the bastard family of the fisherman who discovered the country's greatest energy treasure are accompanied in chorus by the intrigues, apparitions and petrosexual traumas of the inhabitants of Ciudad del Carmen, an island radically transformed by the voracious hydrocarbon industry. The chants of the gods of darkness, of crude oil and of the end of time, accompany and guide this return to the eternal source of emptiness. This invocation does not count the facts from the end to the beginning, but undoes them, diminishes them, de-refines them, decreases them, deconsumes them, de-extinguishes them.