Sofia Fonseca Silva

Helen is a visual artist who isolates herself in a house to prepare for a new artistic project. Her solitude is disrupted when her wife, Angela, returns from a trip. However, Helen begins to experience hallucinations and growing paranoia, leading her to question whether the woman in her house is truly Angela or an imposter.

A reborn angel wanders through the city. Two boys meet on a bus and embark on a sexual journey. A constant flow where narratives converge, creating a kaleidoscope of post-pandemic youth.

A surrealist queer experience. Sweder, one day as he prepares to cut a fish, feels somehow touched by the commercial that is playing on TV about the consumption of animal flesh and violence, so he decides to adopt the fish and treat it like a son.

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'Homo culinarius', as some researchers currently define, refers to our experience since cuisine was created. Its relationship with affection is displayed in this film in a way that explores the professional and home environment, through intimate captures of the filmmakers.