Cauê Filho
Acting
Known For
No description available.
Jerônimo, o Herói do Sertão
No description available.
Cabocla
The story follows the experiences of Marina, a young country bumpkin who marries the mysterious and charismatic widower Roberto Stein, a fabulously wealthy businessman living in 1920s Rio de Janeiro. As Marina attempts to acclimate to her new marriage and responsibilities, she discovers that Stein's late wife, Alice, still seems to have a strong hold over the household. Despite her new husband's affection for her, Marina is nonetheless threatened by Alice's presence, which is made conspicuous through her old maid Juliana's obsessions and her intimidating portrait.
A Sucessora
A widowed conductor rediscovers love when he meets a young woman from the countryside, but doubts about his music make him question his competence and distance himself from the woman he loves.
Bravo!
Romantic and dreamy, Eliana works at a five-star hotel and becomes involved with unrequited love, a bumbling gang, and a complex police story.
Feijão Maravilha
Gina attracts attention and envy. Years later, her life is shaken by the return of an old love and she discovers some schemes orchestrated by her best friend.
Gina
Fernando, a confirmed romantic, will do anything for his beloved Suzana. However, to live out their romance, he will have to go against his father, who rejects Suzana because of her economic status.
Vejo a Lua no Céu
In the backlands, the drover Ricardo marks the destiny of young Maria. Years later, in Xique-Xique, a mistake between two identical women rekindles passions, separations, and an impossible love.
Maria, Maria
A caboclo's soul wanders through purgatory (or hell), visiting many places until he boards a ship whose destination is unknown.
O Gigante da América
No description available.
Estou Aí?
In a movie studio, the actors are getting made up and the crew is waiting to begin shooting the film. Grande Otelo, the bungling "king of the deck", and Marta Anderson, the blond and provocative star of the show, recite in the historical scenario of the chanchadas, the abandoned studios of Cinédia. "The photography is splendid, it is a sort of parallel song, of critique, of parody, of understanding of a certain light typical of Brazilian cinema of the times, already re-created, already stylized. And with the older actors, Otelo, Lewgoy and the others, something very important happened in the artistic perception, seeing again, doing again, it was already a concrete metalanguage" (J. Bressane).
King of the Cards
No description available.
Obrigado, Doutor
No description available.