Milton Gonçalves

The daily lives of a typical Brazilian middle-class family, that are always very close and tries, in their way, to survive the financial and relationship difficulties.

Zorra Total is a Brazilian television comedy broadcast by Globo Network. It was launched on March 25, 1999 and has aired on Saturdays, at 10p.m., ever since May 1999. The show is a sketch comedy show. It is the audience leader on its slot.

Helena is a sweet, honest, sensitive and a warrior woman who faces the premature pregnancy of her daughter Joyce, who in turn is abandoned by her boyfriend, the irresponsible Caio. The biggest problem is the girl's father, Assunção, Helena's ex-husband, who does not accept the situation. Lonely and alone, Helena awakens a passion for the endocrinologist Carlos Alberto, and has her feelings matched. But Carlos is committed to the possessive Paula. The girl's parents, Zuleika and Rômulo, anxiously await their daughter's wedding with Carlos, who will save the family from financial decay. But Carlos is the type of man that women don't really forget. Even married to Paula and in love with Helena, he is still harassed by ex-wife Sheyla, who is not satisfied with having lost him and dreams of a rapprochement.

Donatela and Flora, two friends who became rivals. One of them committed a homicide and pretends to be innocent. There are two versions for the same story. Who, after all, is telling the truth? Donatela or Flora?

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The fight for freedom and against oppression is the central theme of this soap opera that tells the story of the Coragem brothers: João, Jerônimo and Duda, in the city of Coroado.

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In 1886, in the small town of Araruna, Little Missy rejects the actions of her father—the slave-owning Colonel Ferreira—alongside Rodolfo, an active abolitionist republican with whom she falls in love.

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The adventures of a man with amnesia who struggles to rediscover his past while learning to live in the present.

A successful businesswoman in the music industry sees her life fall apart after a young and mysterious woman starts work as her secretary. The scheming girl is totally obsessed by the famous businesswoman and she tries to steal everything from her, including her career.

To defend the humble Soró Sereno in a traffic accident, the mysterious Ciro Cerqueira, a bus driver, ends up getting involved with the traditional italian family of Mamma Vittoria Cantarelli, owner of a chain of canteens in which he starts to work as an executive, and is torn between the love of the matriarch's granddaughters, the responsible Luísa and the seductive Bruna, a woman who spares no effort to get what she wants.

Helena and Álvaro fall in love, but she marries someone else. Years later, they meet again and Helena becomes pregnant, but keeps it a secret because Álvaro is now the one who is engaged.

In the tiny poor town of Asa Branca, in the middle of Brazilian Northeast, Roque Santeiro is worshiped as a saint. He was supposedly killed by a bandit, 18 years ago, trying to save the local church. After his disappearance, local leaderships such as landowner Sinhozinho Malta and mayor Florindo, took profit on that to control the humble population. They even make up a widow, Porcina, who should have married Roque secretly before his death. What they don't expect is that Roque is alive, and he's back to, allegedly, "save his people". Now Malta, Florindo, Porcina, and others must hold him down and explain the "truth" to their commoners, in a desperate attempt to save their own bottoms. Meanwhile, mysterious facts surround Asa Branca, such as a Werewolf, a film crew who are trying to shoot a movie about Roque's story, and violent murderers.

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Is it possible that in a world ruled by appearance, there is room for loyalty, ethics, true love, honesty and solidarity? Is it possible, today, when unrelenting consumption is a way of life, to find someone who equates more value to being rather than having? Cobras & Lagartos is an urban tragic comedy, modern and humanist, that deals with two increasingly different worlds: one which values loyalty and solidarity and the other, where the seduction of superfluity and the power of money reign.

Quinzinho and João Victor are identical twins separated at birth, unaware of each other's existence. The brothers eventually draw closer, guided by their instincts.

Set in 19th-century Brazil during the waning years of slavery, Escrava Isaura tells the story of Isaura, a white-skinned enslaved woman raised with the manners and education of a noble lady. Though treated with affection by her mistress, Isaura remains legally enslaved and becomes the object of obsessive desire by Leôncio Almeida, the cruel heir to the plantation. After the death of her protector, Isaura falls under Leôncio’s control. Despite his attempts to seduce and dominate her, she resists, determined to preserve her dignity and freedom. Her father, Miguel, helps her escape to Recife, where she adopts a new identity and meets Álvaro, a wealthy and principled abolitionist who falls in love with her. Leôncio eventually tracks her down, leading to dramatic confrontations. In the end, Álvaro rescues Isaura by purchasing Leôncio’s debts, securing her freedom and affirming the story’s central themes of justice, love, and resistance against oppression.

The telenovela tells the story of Francisca Moura Imperial, a wealthy businesswoman, and her two sons: Jordão and Tiago, who show little interest in the family business. Jordão is the product of a whirlwind romance in Francisca's youth, while Tiago was born from her marriage to Roberto, a seductive man who moves in high society but is penniless. Francisca is preoccupied with her sons but cannot interfere in their lives as much as she would like. Eccentric and full of outlandish ideas, she decides to undergo plastic surgery, which makes her look 20 years younger, believing that this will bring her closer to Jordão and Tiago. Francisca's greatest concern is that at least one of her sons will marry and give her a grandchild, thus ensuring the continuation of the family name.

A woman lawyer becomes mesmerized by a self-made millionaire during an encounter in Rio setting off a series of erotic encounters.