Arne Hansen

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.

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A womanizing journalist is on the outs with the cops who want him in jail and a mysterious "thin man" who wants him dead.

Line married early to a crazy but lovely painter, who unfortunately one day became so crazy that he had to be hospitalized. For her, there was only one thing to do: refuse to let it get her down, quickly find a job—as a cashier at the local supermarket—set up a new home for her four children, and make it all work. But what about her dreams and love—and making ends meet...

Emma (Line Kruse) is an eleven year-old only child from a wealthy Danish family. Emma's parents seem more interested in their own interests than in her. One evening when Emma overhears her mother talking about how tragic it must be to have your child kidnapped, Emma decides to stage her own kidnapping. She soon meets Malthe, a kind-hearted, child-like, naïve sewer cleaner who literally stumbles on to her. She convinces Malthe that she is a Russian princess whose family is being chased by Bolsheviks, so Malthe lets Emma stay with him in his very modest abode. After being "kidnapped" for a few days, Emma decides to return home. But, just as she is about to return, she overhears a couple of servants talking about how her parents don't seem to be very upset over her dilemma....

A look at what happened when Denmark abolished censorship in the late 1960s.

Danish teens come of age in 1963. Bjorn and Erik are close friends. Bjorn is pursued by Kirsten, a future Stepford wife, but he falls for Anna, who initiates him into love and sex. Erik is somber, caring for his home-bound mentally-ill mother while his strict father rules his life. He desires Kirsten, but she's unattainable. Pregnancy, a horrific abortion, an engagement party, and a revelation about the rectitude of Erik's father lead to a climax: Bjorn and Erik must stand up to controlling adults.

Franco lives in a rough part of Copenhagen. His hooker mother has little time for him. Franco drifts into a life of crime, repeatedly confronting the authorities. To give him a new start, he’s placed in a foster home far away from Copenhagen. His new family greets him with warm hospitality. There’s also the beautiful countryside and, last but not least, the teen-aged daughter

Denmark, 1961. Bjørn, a middle-class boy in his early teens, wants to be accepted by Steen, a bullying peer of his with wealthy but freezingly cold parents. Bjørn's other good friend is Mulle, a cheerful and more childish working-class boy. All three seem friends at first, but gradually Steen starts pushing Mulle away while pulling the impressionable Bjørn with him towards more and more violence.

Ellekjær's future is on Ann-Marie's mind. She tries to get her adopted daughter, Grete, married to Erik von der Rude, but Grete loves the farmhand Jørgen. They decide to get married, after which Annemarie disowns Grete. However, Ann-Marie's other daughter, Elin, is in love with Erik. Erik's past in Copenhagen catches up with him, and Elin moves in with her sister. The film then goes through a series of complications before Elin and Erik can finally get married and Ann-Marie is reunited with her daughters.

In this Danish sex comedy, precisely opposite goals lead a young official of the Department of Roads and Traffic and all the women of the local village to end up in the sack. His goal is to get them to sign papers allowing a new highway to go through the middle of town. Their goal is to get him to re-route the highway.

When parliamentary officer Bertelsen finds the body of a man in a light box at Christiansborg one day, he is immediately given time off with official silence, while a murder investigation is kept secret from the press. The dead man appears to be an international arms dealer, and the government has a problem explaining itself.

Knud is a farmer and dreams of running the farm together with his wife. He has both ideas and drive, but his finances are not the best.

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Tine is in love with the young owner of a beautiful castle, Karsten. She has been dreaming about the castle since she was a small child and visiting her auntie, who is a neighbor to the castle. But an evil plot has been made to take the castle from Karsten.

Werner (William Rosenberg) is an inspector for group of farmes called Digeskov. Left alone by Digeskovs owner, Werner is tricking small neighboring farmes out of there land. The owners doughter find out and stops Werner and she falls in love with a young poor farmer from a neighbor farm.

It cannot be said that the two actors Kurt Karlsen and Valdemar Hansen are particularly successful. The audience often has to ask them to stop, and financially things are not going well either, so they have to flee from their hotel bills. In a provincial town, Professor Andersen has just died, and when the two actors arrive in town at the same time, they are mistaken for the professor and his assistant and are given accommodation at one of the town's hotels as guests of honor. Then events take a turn for the worse. A bank director, a lawyer, and a contractor are very eager to see the late professor's invention continued, as the formula was lost when the professor died. Who will win in the end? The suspicious businessmen, the two actors, or two young people who love each other? And how many times will bank assistant Johansen lose his job?