Pola Friedrichs

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Metin is a young man who has lost his girlfriend and the mother of his baby daughter. A couple of month later at his 30th birthday he struggles more badly than tough everyday life as a single parent.

Vera and Wolf Küper live in Berlin with their 5-year-old daughter Nina and their one-year-old son Simon. Vera takes care of the children and the household alongside a part-time job, while Wolf works as a scientific advisor to the UN, trying to raise awareness of the seriousness of the coming climate catastrophe. The stressful everyday life in a system that is not exactly family-friendly puts increasing strain on the young family and the couple's relationship. The Küper family's way of life is finally shaken to the core when little Nina is diagnosed with a fine motor and coordination disorder. At this moment, Wolf remembers a wish that his daughter expressed shortly before going to bed. Nina would like to have a million minutes, just for the really nice things.

In the turmoil of German reunification, Patty loses her job, loses her friend Jelena and disappears into the historic forest of the Kyffhäuser mountains. When she reappears in the nearby town thirty years later, barely aged, Jelena follows her ghostly apparition into the historical landscape of an East German present.

The clock is ticking for Kai. His psychotic brother has just been granted an early release from prison and by this afternoon, he'll come around to collect the money Kai has been holding for him. The problem - all the money's been spent.

When the animal keeper Birgit gifts her daughter Sarah a parrot, the joy is great. While Sarah is teased at school because of her speech impediment, the parrot provides her with a sense of security. But when the parrot suddenly begins to constantly spout Nazi slogans, it not only causes problems with Birgit's Jewish in-laws, but also puts her in the crossfire of the media.

When their eight-year-old daughter falls into a coma after a tragic accident, Eva and David are torn apart by grief. David clings to hope, unwilling to let go, while Eva cannot bear to see her child suffer and takes matters into her own hands—igniting a gripping courtroom battle over guilt, mercy, and the limits of love