Paula Iglesias

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Óscar turns thirty on New Year's Eve with his life almost solved. Ana turns thirty on New Year's Day with her life still unresolved. They meet, fall in love, and begin a relationship that will last ten years.

The Fuentes are not the best family in the world. But what family is it? Work, school and routine have plunged them into a spiral of disconnection that seems impossible to stop. However, everything changes when the youngest of the group, Valentina, makes a wish for her ninth birthday. The next day, all the members of the family wake up with their bodies swapped: The father is in his wife's body, the girl is trapped in the grandmother's body, the teenage twins are not themselves... Chaos takes over. the family and, desperate, they ask themselves: Who is who? While the family faces crazy situations and hilarious circumstances, the Fuentes must learn to get under each other's skin and trust each other to turn the situation around. Will they be able to return to their original bodies and get their lives back?

Hugo has lost the love of his life and he intends to get her back by learning to play the piano for a year. Nerea, his neighbor, will be the one to help him achieve it by giving piano lessons.

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How many times have you called someone to fix a breakdown and found a woman at the door? Probably not many. Irantzu Varela and Andrea Momoitio are two trailblazing journalists who decide to transform a century-old bridal atelier into the city's first feminist cultural center: La Sinsorga. They aim to complete the renovation using only women and use the project to create a database of women in the heavily male-dominated construction sector. Five female workers are tasked with rebuilding this former symbol of romantic love. Over the course of a year, we witness the transformation unfold through a narrative where the everyday realities of construction coexist with a performative universe, revealing their fears and desires.

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