Maria Angeles Mira

Deep within Buenos Aires's labyrinthine subway system, a train mysteriously disappears along with it's 30 passengers. The subway officials are greatly troubled and call in topographer Daniel Pratt to help them find it. Unfortunately, the tunnels are so vast and complex, that Pratt needs his mentor Hugo Mistein to help him. Unfortunately, he too has vanished.

In a city of the too near future, a city designated for desolation, aggression, and political instability, Miguel Galvan (Hugo Soto) is shot accidentally during a demonstration. This time and space provides a back drop to an intriguing sequence of events where three characters try desperately to survive: the wounded Miguel, an antagonistic policeman (Juan Leyrado), and a foolish vigilante smartly acted by cult rock star Charly Garcia of Sui Generis and Serú Girán fame, who also composed the film's score.

Two guys as different as a watchmaker and a television editor have to free Carlos Gardel's soul from a strange pact with the devil, who has it trapped. To break the spell, these fans of El Morocho del Abasto, and improvised exorcists, need to find a mythical figure of such popular force as Gardel: the great Diego Maradona.

Tribute documentary on the relationship between music and image in the cinema, as a constitutive part of it, with great musical moments in Argentine films together with the words of those who compose and direct.

A young boy dreams and draws about an apparently fictional father figure. He materializes in real life, starring surrealist and colorful scenarios.

On August 17, 1993, a unique and, to this day, unrepeatable social and cultural event took place at Lisandro Olmos Prison: a rock, punk, and metal festival for inmates. A quarter of a century later, with the recovered images, we can try to understand what it was like to be part of such a risky yet significant endeavor.

A man visits a deserted archaeological museum when all of a sudden he starts aging rapidly.

Short documentary film directed by Gustavo Mosquera R. during Raúl Alfonsín's presidency. It presents the landscapes of Viedma, a city in northern Patagonia, during the planning of an ultimately abandoned project to relocate Argentina's capital there. The film is narrated by president Alfonsín himself. This ambitious plan sought to decentralize political power and promote regional development, but was never realized.