Ramūnas Ragalinskas

A trio of unemployed homeland-hating emigrants come back to Lithuania for holiday, where by accident, they become entangled in fake businessmen roles and discover their motherland again.

With gentle irony, “Cinephilia” unmasks the illusion of film. Characters migrate through the worlds of reality and fantasy, in circumstances that paradoxically have no questions or answers. The two moons of Lars von Trier shine in the night sky, entrancing the main heroes, Roland and Isabel. Roland rents himself a room where he winds up in situations reminiscent of the plots found in Franz Kafka’s “The Trial” or Roman Polański’s “The Tenant”. A guy visits Roland, claiming that they known each other, and offers him a lot of money to film his suicide. There begins a kaleidoscopic sequence of events and random acquaintances. They make the characters wander through the worlds of reality and fantasy, sometimes both at the same time. A dark comedy that tells nine related stories in which the fates of the characters intertwine.

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When Titus is not given a gift at his potential father-in-law's birthday party, his evasiveness is perceived by the girl's parents as a timid attempt to woo their daughter. Everything would be fine, but Tito, who is currently living in London, is waiting for his wife Marta in Lithuania. In order to get a secret divorce, Tito returns to Lithuania, but a meeting between Tito and Marta takes things in an unexpected direction.

The film connects the stories of three generations of women as their lives and misunderstandings revolve around relationships with men.