Silva Tsoumana

Anna, in her late twenties, feels like her life is sliding away from her hands. A ticket to a music school in Paris might be the last chance to pursue her dream unless her manipulative, self-destructive alcoholic father stands in her way.

After their violent breakup, the ghost of her ex follows her. He is everywhere, wherever she looks, so Alex seeks refuge. She soon discovers that all her familiar places and faces are a threat. Her instincts lead her to an underground walkway. There, she connects with a homeless man who lives there. In his gaze, she recognizes a shared trauma. She feels like he is the only person, in the only place where they can coexist. Their silent companionship brings her one step closer to facing her trauma head-on for the first time.

Artemis finds out that her application for a British university has been accepted. As she prepares to leave, her parents organize a big farewell party at their house. In a crowd full of guests Artemis finds Simos. He proposes to flee the party in order to have a last excursion together. A long journey commences, filled with nature, sea and secluded landscapes. Present, past and future meet for a hike only to decipher the answers for some unresolved questions. What is love? When do we fall in love? What is what makes us fall in love with someone? How do we stop loving someone? Where do all those beautiful sentiments end up to? Who is the culprit when two people must break up, but they don’t want to? A series of questions that will never be addressed and perhaps might never be answered. A starry-eyed story about feelings and their decay throughout time, as well as the heartache we experience when we have to move on and leave behind traces of something that once only mattered.

A family, consisting of the grandmother, the mother and her two children, a daughter and a son, seems to raise them in a different way compared to the rest of society. The teenage children, Orestes and Danae, still have the innocence of childhood, without knowing the outside world. In combination with the embrace of a religion, this Goddess of snakes and the control of the mother and grandmother over the children, we understand that the power of the family lies with the women. The family peace is disturbed when they catch Orestes masturbating. The mother and grandmother understand that childhood innocence has been lost and it is time for Orestes and Danae to enter the process of adulthood, as they know it. The roles change, Danae is “educated” differently by Orestes, who is treated more like a reproduction machine than as a human whole. Will Orestes withstand these changes? How dangerous is his family to him?

Three friends get together after a long time and speak of their recent mishaps. Each of their stories ends with a problem and each problem can be resolved only with money, which they don’t have. Moving between reality and fantasy, they decide to rob a cafe they suspect is a façade for money laundering.

We follow Dimitra's effort to complete her new album and her new video, balancing exposure with exposure and creativity with organization.

Quarantine. Dionysis, Giorgos, Stathis and Orestis have set up a guard at the house of their fellow student Anestis and are watching their friend Tony, who lives across the street. Dionysis planned this operation and is the only one who initially believes that Tony is planning to commit suicide. The other three, after sharing a story in which Tony seems not to be doing so well, are convinced. Suddenly, smoke comes out of Tony's apartment and they run across the street. Tony has simply burned his food. Relieved, the children stay there and Tony suggests that they call Anestis too.

A woman begins her journey joyful and self-assured, but her mood will change along the way to her destination.

Michael, a middle-aged man confined to his home, receives an invitation from his twenty-year-old niece to accompany her to an event where one of his childhood idols will be present. Michael is confronted with his OCD, which he has denied to himself for many years.