Editing
Mathilde and her husband, who works in a minister's office, are not rich. Mathilde, however, loves beautiful clothes and her husband loves her too much that he lets her do anything she wants. One day they receive an invitation for an important party and she wants to look her best. She borrows a beautiful diamond necklace from her rich friend, but then the necklace gets lost.
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The fun, fondant and hilarious cake fails head to Mexico, where very amateur bakers compete to re-create elaborate sweet treats for a cash prize.
Documentary on the Panamanian struggle for the rescue of the lands of the so-called Canal Zone, militarily occupied by the forces of the American army.
Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. Dividing Holocaust witnesses into three categories – survivors, bystanders, and perpetrators – Lanzmann presents testimonies from survivors of the Chelmno concentration camp, an Auschwitz escapee, and witnesses of the Warsaw Ghetto Uprising, as well as a chilling report of gas chambers from an SS officer at Treblinka.
Max Baumstein is a reputable businessman who founded an international organization fighting against violations of human rights. Why would he commit an act that apparently negates the principles he has striven for so long to uphold? As he is tried for first-degree murder for killing a Paraguayan ambassador in cold blood, he reveals a secret about himself that he kept hidden from his wife Lina. His act is the conclusion of a struggle that started many decades earlier in his childhood...
Chronicle of a Disappearance unfolds in a series of seemingly unconnected cinematic tableaux, each of them focused on incidents or characters which seldom reappear later in the film. Among the many unrelated scenes, there is a Palestinian actress struggling to find an apartment in West Jerusalem, the owner of the Holy Land souvenir shop preparing merchandise for incoming Japanese tourists, a group of old women gossiping about their relatives, and an Israeli police van which screeches to a halt so several heavily armed soldiers can get off the car and urinate.
Danny Cornish, a sort of stateless man who arranges art exhibits, is called from Tel Aviv to Paris with the news that a great uncle has died, in Birobidjan, the autonomous Jewish zone in Russia, leaving him a valuable art collection and the hand of a huge sculpture of a Golem. The uncle's will instructs Danny to find the rest of the statue, so Danny, who speaks no Russian, embarks on a trip that takes him (and the Golem's hand) to Moscow, St. Petersburg, and Siberia, fumbling with hotel clerks, taxi drivers, and bureaucrats, following leads, and making discoveries about myth, story telling, art, and hope.
She is Florence Vannier-Buchet. Married to Protestant banker Jean-Marc Buchet. Florence leads a major sporting goods company with happiness and firmness. He is Antoine Lombard, Professor, son of a teacher, he is Secretary of State at the Universities. He divides his time between his ministerial activity and his riding in the working class suburb of Chartres. An elected member of the "pink wave". They met during a stormy assembly of the CNPF. The action takes place in 1983. Florence is engaged in a daring industrial and financial operation, while Antoine is putting the finishing touches to a bill for the renovation of Higher Education. Everything separates them and yet they do not manage to live separated from each other ...
An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.
1920. Jean Rezeau and his elder brother were living happily in their family estate in Brittany, until the death of their grandmother. The return of their mother, a worthy descendant of fairytales' witches, brings an all new atmosphere to their home.
Kurdish expert Hiner Saleem (Shero) wrote and directed this French comedy-drama, set inside the 100,000-population Kurdish community in Paris. The original French title translates as "Long Live the Bride...and the Liberation of Kurdistan." Cheto (Georges Corraface) seeks a wife via videotapes while still seeing his French girlfriend, immigration office worker Christine (Stephanie Lagarde). Cheto places an order for a beautiful girl, but he's disappointed when her sister, country girl Mina (Marina Kobakhidze), arrives at the airport as a substitute. Family pressure forces him to marry her. Unhappy with the way she's treated by Cheto, Mina acquires some progressive notions from Leila (Schahla Aalam) and other local feminists, leading to confrontations with Cheto.
Lionel has a way with women. His sexual exploits make his friends jealous. One of them, Alain, challenges him to seduce a beautiful woman picked at random, fall in love with her and spend a night with her — but abstain from making love.
Japan, 1986. At the tail end of the world tour promoting their latest album Revenge, Eurythmics tops the charts. Between concerts, pop duo Annie Lennox and Dave Stewart survey Japan's cultural soundscape with the help of Conny Plank: A world of sounds both brutally technological and highly refined by tradition.
Two members of the French Academy agree to help the attractive young veterinarian Esther investigate the suspicious death of her sister. Esther is convinced her brother-in-law is responsible, but soon it becomes apparent that those responsible are linked to the very highest echelons of power in the Vatican.
The film follows Etienne, a 40-year-old car designer, who takes time off from work to study sexual mastery from a Zen master and several prostitutes, in the hopes of having the sexual skill to impress Laure. Laure, a blonde who was introduced to him by his friend Jacques, told Etienne on January 1 that she will not have sex with him until May 27 that year at precisely 9 PM.
In August 1792, on the eve of the attack on the Tuileries, Catherine Hubscher, a laundress in Paris, met a sergeant and an artillery lieutenant who would become respectively Marshal Lefèvre and Emperor Napoleon I. 1810. Napoleon was about to marry Marie-Louise. Fearing the inconstancies and moral lessons of Marshal Lefebvre, the emperor asked her husband to keep her away from the wedding ceremonies. He is unaware that the hotheaded young woman has received a personal invitation from the Austrian embassy.
Jean-Francois and Angie have known each other for 25 years and have been lovers on and off for most of that time. After two marriages (one ending in divorce, the other with her husband's death) and two children, the free-spirited Angie has returned to Jean-Francois, only to announce after a year of living together that she's leaving him to open a antique business in the United States. Jean-Francois regrets Angie's decision, but also knows her well enough to know there's little he can do to change her mind. Five years later, Jean-Francois has become friends with Angie's daughter Winnie, who now lives in Paris and has fallen in love with Laurent, a carefree artist who lives in a studio given to him by his father. However, after sleeping with Laurent, Winnie is convinced he can't be trusted and keeps him at a distance. Over the next few years, Laurent keeps running into Winnie, and Angie periodically arrives at Jean-Francois' doorstep only to leave again shortly after.
The story of Robert Hughes-Lambert, who was captured by Nazis when his active homosexuality was discovered during the filming of Mermoz (1943).
