Gentar Ilham

Dimas found various creepy oddities after he ate the offerings given to his grandmother, Mbah Tini, who had died 40 days ago.

Too exposed to television, Deva is now confused as to whether the reality he believes is real or not.

The relationship between native women in the cities of Cianjur, Bogor, and male tourists from the Middle East, that merges beliefs and morals.

Satria, a professional thief, lives ironically within an academic community. Behind his friendly demeanor, he crafts a step-by-step guide to stealing—divided into two phases: pre-theft and theft. Through witty yet biting narration, the film peels back the layers of moral absurdity in society, questioning the line between cleverness and crime. A social critique wrapped in satire and irony.

After Indonesia became independent, a veteran independence soldier, Ki Atam, continued his life selling banana blossoms for a meager income, he lived a life full of poverty. Approaching the anniversary of Independence Day, he wanted to buy an Indonesian national flag for his house. However, a tragedy befell him.