Claire Diot
Directing
Biography
From a young age, Claire was exposed to the fascinating world of visual media, and it wasn’t long before she realised that she wanted to pursue a career in the film industry. Started in theatre at Les Cours Florent, a prestigious drama school in Paris, France, the artist started writing her own screenplay and setting up her scenes. She pursued her passion for the arts and started doing internships in film, where she felt at home. She then decided to go to the University of Westminster to study film production, left Paris, and came to London. There, she discovered the wonders of the film industry, on set and within her classes, where she decided to specialise in directing, script writing and production design. After graduating, she started internships in Production companies to have a clearer of the market she wanted to be a part of (Filming in Paris, Bandi in Martinika...). The little world she was creating in her screenplay was completed by the sets she created in her mind while writing, and finishing it with the actors, music, editing, camera and lighting plans, and a lot more were how she imagined her films to be. All of the visions that she had when she first created the script appeared in front of her, and she couldn't be more proud. She wishes that her life will be filled with this feeling of completion and thankfulness.
Known For
No description available.
La Guerre des Prix
Noah, who grew up believing he’s Gaddafi’s secret son, is now a treasure hunter obsessed with finding the Libyan leader’s lost gold, scattered across the Sahel after his death. To reach it, he teams up with Zoulika—formerly Louise—an endearing, unpredictable firebrand freshly out of civic reintegration camp. Their cover: joining forces with Ryan, a 52-year-old conservative, visually impaired late bloomer determined to run the legendary Marathon des Sables. Noah wants his father’s gold, Zoulika wants to slip across the border, and Ryan wants to fulfill a childhood dream. Off they go, heading straight into the Sahel.
Les K d'Or
No description available.
Une Famille de Bâtards
Two friends, Mia and Teo, meet up one evening and over a glass of wine, they debate the philosophy of love into its very depths. Being polar opposites, Mia argues over the inevitable end and pain that comes with the start of every relationship while Teo is more concerned with the loss of self and the change that occurs in someone over a relationship. By trying to preserve a memory that will forever exist in their minds, they choose to play pretend for the evening and live out the perfect relationship. The film offers a quick glimpse into an alternate universe where after years spent together, Mia moves out of the apartment where Teo and her lived together. A short peek into what could have been and also asking - would it have even been worth it in the end? However, once the hour has passed, they have to return to reality.
Play Pretend
North London, 1983 - A creepy, solitary man becomes the target of paranormal activity from his drains and pipes. As his anxieties mount, his dark past uncovers and haunts him to his demise.
Melrose
Cinnamon Swirl follows Annie, a young woman in a long term relationship. When she meets Alvy, at a party, she realizes that she might have outgrown her partner. How can these feelings can be conveyed? Stability or experiences? Past or future?
Cinnamon Swirl
Beth, a young transgender woman, is taken to times and places afar. Run-ins with a powerful spirit and a growing bond with another lost girl will take our heroine on a journey to finding her place in this big strange world of ours.
The Woman of the Century
Charlotte goes to a date, haunted by the voice of her ex throughout her journey.